| المستخلص: |
In the name of Allah, the most merciful, the most compassionate praise is to Allah, lord of the worlds and peace is upon his prophet Mohammad and his sons. This study that has addressed (Image structure in Jaffa Abdul - Kareem Radhi) image structure. This study examines the true and composition of the poet. Poets of the sixties in Iraq have known some kind of renewal that characterizes the analogy between the thing and its image. poets at this time used poetic image instead of direct speech until they `re in so much exaggerated. Poet Jaffar Aabdul – Kareem Radhi was able to free itself from the temporal and spatial reality and logic in the formation of the poetic image, at the same time linking that image by the dream. It was far from being the old rhetoric things because of that may be heterogeneous in Iogic and reality. There are several recent studies that have examined the hair of this poet and his life, but did not provide much about him and his poems. There for, this study was designed to give a clear picture of his dealings with the technical image in his hair, the methodology of this study is an analysis of the poems. It consists of an introduction and preface, three chapters and a conclusion. In the introduction, the researcher studied the concept of the image in the eyes of scholars, past and present, then the role of the imagination and its relationship to the poetic image. In the first chapter, we find that the main topic is the Avatar. And how the poet used the PIN code, the symbol contextual and women that have a significant presence in the Arab poem. In the second chapter, we find the image intertextuality, and discuss the types of intertextuality including religious, literary and popular. The third chapter deat with the dramatic image that reduce the impact of excessive singing It has been used techniques such as (diaiogue, mask and substantive equivalents). Finally, the study included the results achieved through research and reached by researcher.
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