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الرئيسية > اللون ودلالته الموضوعية والفني...>الوصف

اللون ودلالته الموضوعية والفنية في الشعر الأندلسي من عصر المرابطين حتي نهاية الحكم العربي (484 هـ - 897 هـ)

المؤلف الرئيسي: جاسم، على إسماعيل (مؤلف)
مؤلفين آخرين: التكريتي، أسماء صابر جاسم (مشرف)
التاريخ الميلادي: 2012
موقع: تكريت
التاريخ الهجري: 1433
الصفحات: 1 - 205
رقم MD: 613288
نوع المحتوى: رسائل جامعية
اللغة: العربية
الدرجة العلمية: رسالة دكتوراه
الجامعة: جامعة تكريت
الكلية: كلية التربية
الدولة: العراق
قواعد المعلومات: Dissertations
مواضيع:
الشعر الأندلسي
شعر المديح النبوي
اللون في شعر الطبيعة
الصور الشعرية
رابط المحتوى:
صفحة العنوان     
المستخلص     
قائمة المحتويات     
24 صفحة الأولى     

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المستخلص: This thesis dealt with (The colour and its objective and artistic meaning in the Andalusian poetry from the Murrabitin age until the end of the Arabian reign) subject and consisted of a preface, theoretical introduction and two chapters. The first chapter studied the artistic performance through the phonetic structures and their colour relations and then the poetical structures on the poems and stanza where the colour represented on effective role for guiding the poetical course. The study also focused on the poetical picture as the essence of the poetical art due to the colour produced the beauty of image in brilliant appearance. The second chapter consisted in the first research the meaning of the colour in the objective structures through the Eulogy, flirtation, war and elegy, in the second research, it highlighted the poetry of nature that depicted that the Andalusion are interested in the colour remarkably by observing the still and dynamic aspects. The study tackled other topics in which the colour represented a principal pivot by the affected and the effect, so they focused on the relation between the colour and the wine, senility and its meaning in the poetry of nostalgia. The conclusion dealt with the most important trends in that period and the difference between the talent of one poet and other.

In the end, The sources and references of the study which the researcher are depended on are listed. The design of the plan for this thesis was as following: • Preface • Introduction - The first chapter (The colour in the artistic structures). • The first research: The colour and the phonetic structures. • The second research: The colour and the synthetic structures. • The third research: The colour and the poetical image. - The second chapter: (The colour in the objective structures). • The first research: The colour and its meaning in the traditional topics: a. Eulogy. b. Flirtation. c. War. d. The Elegy. • The second research: The colour in the poetry of nature. a. The description of the still – nature. (garden, flowers, fruits and rivers). b. The description of the dynamic nature. (Horses and other animals). • The third research: The colour in the other topics. a. The colour and the wine. b. The colour and the description of the grey – hair. c. The colour and the nostalgia. - The conclusion. - The sources and references.

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