المستخلص: |
هذه دراسة موضوعها موشحات ابن زمرك الأندلسي وأشعاره، تبدأ بتعريف الموشح، وتتطرق على نحو موجز للعلاقة بين ابن زمرك وأستاذة لسان الدين بن الخطيب، ثم تنتقل للبحث في موسيقا أشعاره، وموسيقيا موشحاته وتعتقد مقارنة بينهما، كما تقف على المكان في موشحاته، وكذلك الحال مع قصائده ثم تنظر في أغراضها.
The subject of this study is Starter stanzas of Ibn Zamrak Al- Andalusi and his poems, it begins with defining of Poems stanzas, and touch on some summary of the relationship between Ibn Zamrak and mentor San Din ibn al-Khatib, and then refer to the sources Starter stanzas of Ibn Zamrak and his poems. The study discussed the music of poems, and music of stanza, and made a comparison between them. The study stands for the place in his stanza, as well as his poems, and then shows their purposes. The study noticed that “Albahr Albaseet” is frequent in stanza of Ibn Zamrak, while “Bahr Arrajaz” is the least. The study noticed also that “Albahr Attaweel” is the most widely used in the poems, and “Albahr Assareea” is the least one. The study noted that Ibn Zamrak like other Starter stanzas mixed between different subjects in one Starter stanzas. In spite of this the Praise is the most complimenting obvious topic in stanza and poems. The study concluded that the results are clear and specific in its field.
|