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Ibrahim Satyrs stories study in structure and significance The short story is an art that combines all the arts in it, from the poem its structure and coherence, the novel with its events and characters, the drama with its dialogue and precision in utterance and language, and articles with its logical narrative and precision. Where it takes from each arts its best and accuracy, to give us artistic enjoyment that locates the short story in line with the writing arts which has been flourished in the last centuries. Many Critics urges that the short story is the best expression of the epoch, for it is an artistic means to reformulate the reality intensively, its fancy and creation enable it to enhance the respondent taste and emotion. With its reality, the respondent recognizes its characters and feels their life details. The study, The narrative Structure in Ibraheem Sabity stories, tackles Ibraheem sabity stories, the organizational model the study follows is that of Gerard Genettee, details in his book, (Narrative Discourse, An Essay in Method) with its theoretical statements and procedural tools, and the some ideas of Said Yakeet, in his book (Analysis of Novelistic Discourse), besides the amendments he has devised on the Genettee structural bifurcations and his Textual transcripts, accordingly the approach is analytical descriptive, of structural theoretical background. The main difficulty encounters the study is that there is no a unified terminological apparatus that systemizes the work of those dealing with narrative, where there are multiple significances for one term as many as the attitude of discourses analysis and its fields. This plurality leads to blurring of the critical vision of most of studies specialized in narrative. Reading Ibrahem Sabty stories according to study approach in narrative techniques raises many legitimate questions, the researcher endeavors to find answer to them: The first question: what are the mechanism of the narrative structure the writer uses in constructing his story texts? what are their effectiveness in producing distinguish narrative text? Does the writer able to follow hetero- trajectory in using these modern mechanism to achieve singularity?
The Second Question: how does the writer able to use the temporal narrative techniques in managing in temporal duration treated in his stories, and does the temporal structure of the stories works only to construct its internal structure or rather go far to take part in creating the sense. The third Question: is it possible to talk on stories of place features, as the titles of the stories suggest? Or is it only artistic means of the writer to direct his readers to what he wants from them? The study is of introduction, three chapters and conclusion. The introduction is of three sections: the first: the genre structure and the text structure, the second: the developments of Iraqi story, and the third: brief on the writer Ibraheen Saby. The first chapter, the narrative temporal, is of three sections. The first: deals with the element of temporal structure by the mechanism of remember and foresight .The second: the temporal sequences deals with the accelerate and slow down narrative. And the third section deals with the narrative frequency through the repetitive tale and frequent tale. The second chapter, the narrative space, is of three sections. The first deals with the space structure and its relation with narrative elements (author, character, event), the second deals with space and its significances (political, cultural, social significances). The third section deals with the construction of narrative atmosphere (space and temporal) through the engineering of writing and page. The third chapter, the story event, is of introduction and three sections. The introduction is on the important of event as a core feature due to its relation with other elements of narrative. The first section on the event inception: the tale inception, the descriptive inception, scene inception, and the dialogic inception. The second section deals with the construction of the event: the sequence construction, the intersection construction. The parallel construction, and the cycle construction. The third section, the epilogue, deals with informative epilogue, descriptive epilogue, briefing epilogue, and dialogic epilogue. The study ends with research conclusions, references, and the story writer books.
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