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عندما يبدع الفنان عملا فنيا معينا، فإنه لا يخضع لما يتطلبه التنفيذ التشكيلي فقط، بل إنه يعبر عن رؤية، تقدم حقيقة أو مضمونا أو دلالة معينة والنظر للجمال على أنه أحد الأساليب التي بها تحدث الحقيقة في العمل الفني. فلا يمكن إغفال القيم الشكلية للعمل الفني باعتبارها قيما جمالية، كما لا يمكننا اختزال ماهية الفن في كونه تعبيرا عن حقيقة الوجود والحياة فحسب، بل أن هناك قدرا كبيرا من قيمة الفن يكمن في الأساليب التعبيرية ومتطلبات التشكيل الجمالي أيضا. لذا تحددت مشكلة البحث هذا فيما يلى:- - تعدد الآراء حول الفن "تعريفه . ماهيته . نشأته . حقيقته" - صعوبة القدرة على إدراك الجانب المختفي وراء مظهر العمل الفني. - انحصار نشاط الفنان في قدرته على إدراك الجانب المختفي وراء المظهر باعتباره حقيقة الفن وهذا ما جعل البحث يهدف إلى:- - تسهيل إدراك الجانب المختفي وراء المظهر كحقيقة فنية - التوصل إلى حقيقة العمل الفني المباشرة التامة للعثور على الفن الحقيقي وتحديد ماهيته.
Art work has content and existential intensity that cannot be overlooked. when artist innovate an art work he is not restricted to what the formalism implantation required only but he also wants to express a real development vision or content or a specific sign and considering aesthetic as one of the methods by which reality occurs in the art work. So art work formalism values cannot over sighted as they are considered as finesse values also we cannot reduce the art essence in being life and existence reality expression only as a great amount of art value lies in the expression methods and the aesthetic formalism requirements too. ● That is why our research problem indicated as following: - Multiple opinions about art (definition, essence, inception, reality) - The ability difficultness to recognize the hidden side behind art work appearance as it is art reality ● And this made our research aimed to: - Simply recognizing the hidden side behind art work appearance as art reality - Reaching the art work direct reality to find real art and determine its essence That is why our research includes a historical introduction illustrating the engagement of art reality anciently with materialistic benefit as sailing tools which appeared in the Albaliulieta minimum or old stony era and the rituals based on the spirit return dogma and this also appear in the old stony era and these rituals require specific tools then prolix research about the art work origin and philosophic theories narration as Hygal, Kant, Hedger and Krotsha. the research focused on the analysis of philosopher Hedger as he straighten his philosophy that art is thing and this thing has value to the artist which means that this thing transform to art work. Concluding to what the research includes from Qur'an verses about things names that almighty Allah learned to Adam peace be upon him accordingly obtaining several results including: art express reality. Artist and art work are one entity cannot separate them from each other. From recommendations according to the knowledge of some of art reality a lot of aesthetic meanings for the art work will get clear. Science interaction and indulging in its learning will be a support to all arts in general.
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