| LEADER |
05989nam a22003377a 4500 |
| 001 |
1514625 |
| 041 |
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|a ara
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| 100 |
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|9 550928
|a جياد، رشا عبدالحمزة
|g Chyad, Rasha Abdulhamza
|e مؤلف
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| 245 |
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|a معارضات قصيدة "بانت سعاد":
|b دراسة فنية
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| 246 |
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|a Objection Poem (Pant Suad)
|b Technical Study
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| 260 |
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|a الديوانية
|c 2015
|m 1436
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| 300 |
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|a 1 - 151
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| 336 |
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|a رسائل جامعية
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| 502 |
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|b رسالة ماجستير
|c جامعة القادسية
|f كلية التربية
|g العراق
|o 0176
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| 520 |
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|a • Opposition literary phenomenon subject to the requirements of structural and morphological especially formed the identity of the opposition and Charitha own, the art of literary starts admirable and ends with a tradition of technical and structural, but this does not mean that tradition literally be devoid of novelty and innovation, it is the tradition of showing the talent of the poet and his ability to simulations based on the foundations of aesthetic worthy of study and consideration and meditation based on data from the dominant stylistic and foundations quality Alrakzh that make up the identity of the poetic text, which opposes a poem or group of poems, so formed oppositions ancient and modern phenomenon lattice what their catalog of aesthetic values and Mhemenat stylistic Djalnha valid for study and critical analysis. • The level of compositional has revealed the researcher's ability poets oppositions on Taattaiwia Syntax and Tsierh service to signify the special opposition by adopting techniques of synthetic multi-level introduction delays or Chapter interfaces, male and deletions, consciously sense of linguistic privileged at the level of re-formation of the poetic text on in accordance with the requirements of the transformation semantic controversy associated with structural transformation, hence the level of compositional formulated in a way that earned the poetic text and beautiful splendor. • We have formed Mazan poetic image when poets objections (pant Suad) Pettmazj number of arts rhetorical, which is an urgent need of the necessities of Hassan and beauty in saying poetic Kalchbah and metaphors as well as metaphor, was the employment dependent on the basis of innate and qualitative, asking place and context Opto arbitrator. Was poetic images produced a great deal of admissibility. Each context of contexts this level dabble on the theme of quality formats from which an artistic way to make the text more meaningful and accurate portrayal of the most prolific and expressive. And most of all, we realized that the poets were oppositions to varying degrees in the arts employ rhetorical those at the level of production of the text, some of them deal with him in his two came as a result of the literal tradition. • The system is language in sentences of dialogue was not an arrangement spontaneously for words, but it was often an echo of the tensions emotional and sentimental Taatari a interlocutors in what position, was able to surrender and the delay to be a sensitive indicator record in the positions of several backgrounds scene fairy accurately, and the most important purposes of presentation and delays that have passed in the structural composition of the shrines are (attention, competence and warning and veneration and emphasis and highlighting and ensure fast access to the mind of the listener sense and detect oriented emotional and emotional when one party to the dialogue and alarm). • The Manmamana stylistically and artistic phenomenon, able poets oppositions own poem pant Souad that Aozvoh main employers aesthetically, away from the workmanship and affectation by linking them to the value of sound earned him give indications and Almhany way you feel from which the poets did not meant intentionally, but the meaning and significance were an urgent necessity demanding context place.
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| 520 |
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|a • have the form of intertextuality Quranic and literary as well as the headwaters of the historic cultural objections could poets poem (pant Suad) Asyoraa all that in order to create poetic images sends aesthetic values inherent in the text and make it to the receiver in a high degree of interaction and influence and fascination. • The side rhythmic poems objections poem (pant Suad) has been achieved through the means of expressive stylistic three, the first of which was made through (repetitions), which achieved in poetic texts bell acoustically necessary significance and has been linked in the sense relationship hardly ever-intertwined, and the second through technology (INS) which was based on the requirements of the meaning and the necessities of detection significance as well as what was achieved in the texts of the corresponding sound harmonious and meaning, and the third was mediated (rhythm weight and rhyme), were those three important factor in demonstrating the value of performance rhythmic within the poetic text exhibitions manner revealed the ability of poets to Taiwia The investment values rhythmic her.
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| 653 |
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|a الادب العربي
|a الشعر العربي
|a الدواوين والقصائد
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| 700 |
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|a سلمان، سرحان جفات
|g Salman, Sarhan Jefat
|q Salman, Sarhan Jaffat
|e مشرف
|9 240170
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| 856 |
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|u 9805-013-002-0176-T.pdf
|y صفحة العنوان
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| 856 |
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|u 9805-013-002-0176-A.pdf
|y المستخلص
|
| 856 |
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|u 9805-013-002-0176-C.pdf
|y قائمة المحتويات
|
| 856 |
|
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|u 9805-013-002-0176-F.pdf
|y 24 صفحة الأولى
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| 856 |
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|u 9805-013-002-0176-0.pdf
|y الفصل التمهيدي
|
| 856 |
|
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|u 9805-013-002-0176-1.pdf
|y 1 الفصل
|
| 856 |
|
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|u 9805-013-002-0176-2.pdf
|y 2 الفصل
|
| 856 |
|
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|u 9805-013-002-0176-3.pdf
|y 3 الفصل
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| 856 |
|
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|u 9805-013-002-0176-O.pdf
|y الخاتمة
|
| 856 |
|
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|u 9805-013-002-0176-R.pdf
|y المصادر والمراجع
|
| 930 |
|
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|d n
|
| 995 |
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|a Dissertations
|
| 999 |
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|c 1017609
|d 1017609
|
