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|3 10.21608/JFHSC.2019.61435
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| 041 |
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|a eng
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| 044 |
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|b مصر
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| 100 |
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|9 397750
|a Bekheet, Mohammad Mahmoud Saeed
|e Author
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| 245 |
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|a Muslim Representation in Post 9/11 Hollywood:
|b A Semio Pragmatic Analysis
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| 260 |
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|b جامعة قناة السويس - كلية الآداب والعلوم الإنسانية
|c 2019
|g يونيو
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| 300 |
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|a 216 - 253
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| 336 |
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|a بحوث ومقالات
|b Article
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| 520 |
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|b The significant role of movies in disseminating information and creating images of the real life is totally irrefutable. With the development of film production, critical and professional recognitions of films have not yet been developed along with popular recognition of films. This study is intended to investigate the image of Muslims represented in post 9/11 American movies through a semio- pragmatic approach based on the multimodal analysis of the selected films. Chandler’s categories of codes and Fiske’s semiotic model are adopted in a qualitative method of analysis to uncover ideological and social (mis) representation of Muslims in American Cinema. Thus, this study contributes, in a modest way, to suggesting a systematic approach to the study of western films in order to appreciate and evaluate their communicative and aesthetic impact as a powerful mass medium using semiotic/ pragmatic practices.
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| 653 |
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|a السينما الأمريكية
|a أحداث 11 سبتمبر 2001
|a مكافحة الإرهاب
|a الإسلاموفوبيا
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| 692 |
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|b Cinematic Discourse
|b Film Semiotics
|b Multimodal Analysis
|b Pragmatics
|b Islamophobia
|b Cinema
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| 773 |
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|4 الادب
|4 العلوم الإنسانية ، متعددة التخصصات
|6 Literature
|6 Humanities, Multidisciplinary
|c 004
|e Journal of the Faculty of Arts and Humanities
|f Maǧallaẗ kulliyyaẗ al-ʾādāb wa Al-ʿulūm Al-insāniyyaẗ. Suez Canal University
|l 029
|m ع29
|o 0786
|s مجلة كلية الآداب والعلوم الإنسانية
|v 000
|x 2536-9458
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| 856 |
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|n https://jfhsc.journals.ekb.eg/article_61435.html
|u 0786-000-029-004.pdf
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| 930 |
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|d y
|p y
|q n
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| 995 |
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|a HumanIndex
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| 995 |
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|a AraBase
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| 999 |
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|c 1036298
|d 1036298
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