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دراسة تحليلية عزفية للدوديكافونية فى صوناتا البيانو مصنف "6" عند إيسلر

العنوان بلغة أخرى: An Analytical Analysis of Dodecaphony in Piano Sonata Class 6 at Eisler
المصدر: المجلة المصرية للدراسات المتخصصة
الناشر: جامعة عين شمس - كلية التربية النوعية
المؤلف الرئيسي: أبو النجا، علاء محمد ممدوح (مؤلف)
المؤلف الرئيسي (الإنجليزية): Al Wakill, Alaa Mohamed Mamdouh Abu Naga
المجلد/العدد: ع24
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2019
الشهر: أكتوبر
الصفحات: 64 - 115
DOI: 10.21608/EJOS.2019.91004
ISSN: 1687-6164
رقم MD: 1067050
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: HumanIndex, EduSearch
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المستخلص: Sonata is one of the musical formulas known by the composers since the beginning of the composition of the music, which varied its internal forms depending on the number of movement, has been formulated movements in several formats and templates, Beethoven came with a melody containing melodies and variations, and with the passage of time came Eisler and a thousand sonnets style Dodecaphony composed of melody And fourteen diversities, since the foot was one of the simplest solutions to prolong the tune without feeling bored and repetition by making some minor changes to the original tune and re-eat several times, and each time is handled and formulated differently in terms of speed or time, and Or change the place or ladder or change the machine or sound, or change the harmonic or polyphonic approach and all the forms of artistic diversification known, and the nature of variations varied during different ages according to the different method of authorship where it went through many developments until it reached modem times, One of the most important methods that emerged in the twentieth century and the use of the method of authoring the twelve tones, which dealt with the researcher analysis of the play to help the student to understand and performance in the best way.

ISSN: 1687-6164