ارسل ملاحظاتك

ارسل ملاحظاتك لنا







Style and Cognition in Dan Brown's: The Da Vinci Code

المصدر: مجلة كلية الآداب
الناشر: جامعة بنها - كلية الآداب
المؤلف الرئيسي: Abou Alam, Amira Abd El-Aziz (Author)
المجلد/العدد: ع47, ج1
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2017
الشهر: أبريل
الصفحات: 259 - 289
DOI: 10.21608/JFAB.2017.67938
ISSN: 1687-2525
رقم MD: 1087347
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: AraBase
مواضيع:
رابط المحتوى:
صورة الغلاف QR قانون

عدد مرات التحميل

5

حفظ في:
LEADER 02200nam a22002177a 4500
001 1827951
024 |3 10.21608/JFAB.2017.67938 
041 |a eng 
044 |b مصر 
100 |9 585838  |a Abou Alam, Amira Abd El-Aziz  |e Author 
245 |a Style and Cognition in Dan Brown's:  |b The Da Vinci Code 
260 |b جامعة بنها - كلية الآداب  |c 2017  |g أبريل 
300 |a 259 - 289 
336 |a بحوث ومقالات  |b Article 
520 |b This research aims at providing a detailed description by way of presenting an illustrative analysis of the cognitive stylistic features of Dan Brown's The Da Vinci Code (2003). The significant target of the study is to manifest the aesthetic characteristics through connecting the text- world to the reader's world, where both of the reader and the writer become active. It also explains how the fictional work manages to extend the reader's mental space so as to be able to taste and interpret the literary works. The investigation adopts a qualitative method. The aim of the qualitative analysis is a complete and detailed description of examples. The research is tackled within Gavins' (2007) text world theory. On the basis of the proposed theory, a comprehensive analysis of the novel in terms of discourse-world level, text- world level, and sub-world level is to be carried out. Analyzing these worlds contributes to the narration. It also explains the conflict between the novel's characters which is a result of their different mental spaces or worlds, and how this diversity becomes responsible for the emergence of smaller worlds inside the main world. The investigation includes different types of discourse like face-to-face conversations, narrative structures, description, visions, and expression of feelings and emotions. 
653 |a براون، دان  |a شيفرة دافنشي  |a النقد الأدبي 
773 |4 الادب  |6 Literature  |c 003  |f Mağallaẗ Kulliyyaẗ Al-Ādāb  |l 001  |m ع47, ج1  |o 1134  |s مجلة كلية الآداب  |t Journal of Faculty of Arts  |v 047  |x 1687-2525 
856 |u 1134-047-001-003.pdf  |n https://jfab.journals.ekb.eg/article_67938.html 
930 |d y  |p y  |q n 
995 |a AraBase 
999 |c 1087347  |d 1087347 

عناصر مشابهة