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نظرية الجندر وملامحها في مسرح ترنتيوس في ضوء تحليل الشخصيات الذكورية لكوميديا "الخصي"

العنوان بلغة أخرى: Gender Theory and its Features in Terence's Theatre through the Analysis of the Male Characters in the Comedy of Eunuchus
المصدر: مجلة أوراق كلاسيكية
الناشر: جامعة القاهرة - كلية الآداب - قسم الدراسات اليونانية واللاتينية
المؤلف الرئيسي: عبدالصمد، رنا (مؤلف)
مؤلفين آخرين: علي، علي عبدالتواب (مشرف)
المجلد/العدد: ع16
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2019
الصفحات: 609 - 647
DOI: 10.21608/acl.2019.89666
ISSN: 2314-7415
رقم MD: 1107638
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: AraBase
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المستخلص: This paper deals with the analysis of the male characters that appear in Terence’s comedy Eunuchus through the Gender theory, and those are the eunuch Dorus, Phaedria, the soldier Thraso, and Chaerea. Gender is the cultural expression of the patterns of the masculine behavior that should be followed by men, and the patterns of the feminine behavior that should be followed by women. This means that Gender points out to the roles, behaviors, activities, and features suitable for men and women in each society and this differs from one society to another according to the differences of its cultures and concepts. We will try to show to what extent did each male character fail to achieve the features and qualities needed to perform Roman masculinity. For example, as a eunuch slave, Dorus naturally fails in the world of Roman masculinity. Phaedria is characterized by immature behaviors and lacks masculinity that distinguishes the Roman man. The soldier Thraso fails also to perform Roman masculinity and his lack of manliness is clear to all the characters of the play. Thraso attempts to prove his manliness and the standards of Roman masculinity but he fails at last. And finally, Chaerea fails also to perform Roman masculinity, as an example, in act two, scene three, when Parmeno jokingly suggested that his master Chaerea change clothes with Dorus to be disguised as a eunuch so that he could gain access to the house of the courtesan Thais, Parmeno explains that his plan might succeed because of the form and beauty of his master.

ISSN: 2314-7415