Zora Neale Hurston’s their Eyes were Watching God: Storytelling and the Blues as Aspects of Diaspora Survival
| المصدر: | مجلة كلية الآداب |
|---|---|
| الناشر: | جامعة المنصورة - كلية الاداب |
| المؤلف الرئيسي: | Yousef, Hamada Abd El-Fattah (Author) |
| مؤلفين آخرين: | Albetebsy, Abdullah M. (Advisor) , Elsady, Islam A. (Advisor) |
| المجلد/العدد: | ع67 |
| محكمة: | نعم |
| الدولة: |
مصر |
| التاريخ الميلادي: |
2020
|
| الشهر: | أغسطس |
| الصفحات: | 10 - 29 |
| DOI: |
10.21608/ARTMAN.2020.157306 |
| ISSN: |
1687-448X |
| رقم MD: | 1125814 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | AraBase |
| مواضيع: | |
| كلمات المؤلف المفتاحية: |
African Cultural Heritage | Diaspora | Storytelling | The Blues | Afro-American Vernacular
|
| رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
| المستخلص: |
Zora Neale Hurston's novel Their Eyes Were Watching God is examined to demonstrate how storytelling and the blues, as aspects of diasporic survival, function in her fiction which depicts how African cultural heritage operates in the United States. She articulates the need for her black folks throughout diaspora to confront racism by employing their African cultural heritage as a vehicle for empowerment. Janie, Hurston's protagonist, finds that when she embraces her African heritage not only does she gain great awareness of her selfhood better as African American, but she also discovers that her Africanity and her identity are intertwined. |
|---|---|
| ISSN: |
1687-448X |
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