The Caribbean Self: Traumatic Memory and Diaspora in the Works of V. S. Naipaul and Caryl Phillips
| العنوان بلغة أخرى: |
الذات الكاريبية: استدعاءات الذاكرة المهمشة والشتات في كتابات في أس نايبول وكاريل فيليبس |
|---|---|
| المؤلف الرئيسي: | محمد، سمية محمد أحمد الحاج (مؤلف) |
| مؤلفين آخرين: | شاهين، محمد (مشرف) |
| التاريخ الميلادي: |
2016
|
| موقع: | عمان |
| الصفحات: | 1 - 159 |
| رقم MD: | 1133678 |
| نوع المحتوى: | رسائل جامعية |
| اللغة: | الإنجليزية |
| الدرجة العلمية: | رسالة دكتوراه |
| الجامعة: | الجامعة الاردنية |
| الكلية: | كلية الدراسات العليا |
| الدولة: | الاردن |
| قواعد المعلومات: | Dissertations |
| مواضيع: | |
| رابط المحتوى: |
عدد مرات التحميل
34
| المستخلص: |
This dissertation explores the Caribbean self as a colonized one that suffers due to the diaspora and trauma caused by colonialism. The dissertation focuses mainly on selected works by V. S. Naipaul and Caryl Phillips, who are prolific Caribbean writers. It locates the two writers in the purview of post colonialism and the literary canon at large. This dissertation provide valuable insight into the intricate concept of the "self," as the structural frame that encompasses diaspora and trauma. It is divided into six chapters that investigate the dilemma of the Caribbean self after decolonization. It also portrays the different visions that Naipaul and Phillips have about the colonized. The question of whether the colonized people are victims of colonialism, or that they are to be blamed as being part of their own predicament, is a key question that is investigated through juxtaposing Naipaul's and Philips's views. Problematic issues, such as language and trauma, psychological diaspora and belonging, the use of hegemonic or indigenous languages and representation are significant issues that are discussed in this dissertation through a theoretical, analytical and comparative investigations of the works of Naipaul and Phillips. |
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عناصر مشابهة
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Memory Against Forgetting: Voices of Africa in Caryl Phillips’s Crossing the River
بواسطة: Sharobeem, Heba Makram Kamel منشور: (2019) -
Venturing into Historical Storms: Slavery, War and Diasporic Wanderers in Caryl Phillips’s novel Crossing the River
بواسطة: Hegazi, Safaa منشور: (2004) -
Art is Permanent Revolution, an Excerpt from a Thesis Entitled Identity and Globalization in selected Works by Caryl Churchill
بواسطة: السعدى، سلمى محمود منشور: (2015) -
Women in the Plays of Caryl Churchil: Vingar Tom and Top Girls
بواسطة: عجينة، هبه نبيل منشور: (2016) -
Interpretation of the Political and Ideological Utopia in Caryl Churchill's "Bright Light in Buckinghamshire"
بواسطة: Mousa, Ahmed Hassan منشور: (2018)
