العنوان بلغة أخرى: |
Al-Hakim's Islamic Reference in the Fate of Sarsar |
---|---|
المصدر: | مجلة كلية اللغة العربية بالقاهرة |
الناشر: | جامعة الأزهر - كلية اللغة العربية بالقاهرة |
المؤلف الرئيسي: | رشوان، أبو الفتوح مصطفى جمعة (مؤلف) |
المؤلف الرئيسي (الإنجليزية): | Rashwan, Abu Al-Fotouh Mustafa Jumaa |
المجلد/العدد: | ع38, ج1 |
محكمة: | نعم |
الدولة: |
مصر |
التاريخ الميلادي: |
2020
|
الصفحات: | 2025 - 2126 |
DOI: |
10.21608/JFLC.2020.152973 |
ISSN: |
2536-9873 |
رقم MD: | 1151104 |
نوع المحتوى: | بحوث ومقالات |
اللغة: | العربية |
قواعد المعلومات: | AraBase |
مواضيع: | |
رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
LEADER | 02456nam a22002297a 4500 | ||
---|---|---|---|
001 | 1894244 | ||
024 | |3 10.21608/JFLC.2020.152973 | ||
041 | |a ara | ||
044 | |b مصر | ||
100 | |a رشوان، أبو الفتوح مصطفى جمعة |g Rashwan, Abu Al-Fotouh Mustafa Jumaa |e مؤلف |9 590859 | ||
245 | |a المرجعية الإسلامية للحكيم في مصير صرصار | ||
246 | |a Al-Hakim's Islamic Reference in the Fate of Sarsar | ||
260 | |b جامعة الأزهر - كلية اللغة العربية بالقاهرة |c 2020 | ||
300 | |a 2025 - 2126 | ||
336 | |a بحوث ومقالات |b Article | ||
520 | |b The research highlights the idea of analyzing a play within the framework of its reference. He also distinguished between the play that relied on a fixed reference, and the one that relied on an unreliable reference, claiming that the text in the first must not be subject to misinterpretation. He looked at the idea of the play from many angles, and found that the event gave birth to the idea, and the idea directed the writer to choose his reference. The language of the play helped me do so. It is full of symbols, direct indications, and explicit alerts supported by the situation, as well as the general context of the idea in the framework of the conditions that imposed themselves on the nation at the time. The explicit criticism of political reality and the link between it and the facts of history, and the partial ideas linked organically to the main idea, as well as the author's biography, his critical theories, made it clear to me that the topic was divided into three themes: the first, the reference and the idea of the play; the second, the play from the feasibility of creativity to the dialectic of criticism; the third, the reference and the manifestations of inspiration in the structure of the play. The conclusion covered the most prominent results. | ||
653 | |a القضايا الدينية |a الأدب العربي |a الفنون المسرحية |a النقد الأدبي | ||
773 | |4 اللغة واللغويات |6 Language & Linguistics |c 018 |f Maǧallaẗ Kuliyyaẗ Al-Luġaẗ Al-’arabiyyaẗ Bil-Qahirah |l 001 |m ع38, ج1 |o 0709 |s مجلة كلية اللغة العربية بالقاهرة |t Journal of Faculty of Arabic Language |v 038 |x 2536-9873 | ||
856 | |u 0709-038-001-018.pdf |n https://jflc.journals.ekb.eg/article_152973.html | ||
930 | |d n |p y |q n | ||
995 | |a AraBase | ||
999 | |c 1151104 |d 1151104 |