Rereading the Image of Woman in Jude the Obscure of Thomas Hardy
| المصدر: | مجلة آداب الفراهيدي |
|---|---|
| الناشر: | جامعة تكريت - كلية الآداب |
| المؤلف الرئيسي: | Ibrahim, Mohammed Fezea (Author) |
| المجلد/العدد: | مج13, ع44 |
| محكمة: | نعم |
| الدولة: |
العراق |
| التاريخ الميلادي: |
2021
|
| الشهر: | كانون الثاني |
| الصفحات: | 431 - 438 |
| DOI: |
10.51990/2228-013-044-038 |
| ISSN: |
2074-9554 |
| رقم MD: | 1175671 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | AraBase |
| مواضيع: | |
| كلمات المؤلف المفتاحية: |
Marriage | Victorian Era | Rebellion | Revolutionary | Surrender | Compromise
|
| رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
| المستخلص: |
This paper introduces the Victorian era in Jude the Obscure of Hard showing a clear picture of English society. It critically studies how women are portrayed not the works of Hardy, particularly in Jude the Obscure. The paper questions not only the attitude of women, but also how women have been imaged in Jude the Obscure. The study immensely traces how women turn from revolutionary and rebellious to submissive. It attempts to answer some questions likewise, is it a search for a peaceful space or it is a compromising way to live among the monstrous society. |
|---|---|
| ISSN: |
2074-9554 |
عناصر مشابهة
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Implication as an Instrument of Communicating Themes in Thomas Hardy's Jude the Obscure
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Philosophical Pessimism in Thomas Hardy's Selected Works
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The Harmony Between Form and Content In Thomas Hardy’s The Mayor of Casterbridge
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