المصدر: | مجلة لارك للفلسفة واللسانيات والعلوم الاجتماعية |
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الناشر: | جامعة واسط - كلية الآداب |
المؤلف الرئيسي: | Hassan, Sanaa Lazim (Author) |
المجلد/العدد: | ع20 |
محكمة: | نعم |
الدولة: |
العراق |
التاريخ الميلادي: |
2015
|
الصفحات: | 30 - 40 |
DOI: |
10.31185/lark.Vol1.Iss20.692 |
ISSN: |
1999-5601 |
رقم MD: | 1188033 |
نوع المحتوى: | بحوث ومقالات |
اللغة: | الإنجليزية |
قواعد المعلومات: | AraBase, HumanIndex |
مواضيع: | |
رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
المستخلص: |
Sam Shepard is one of the controversial modern American playwrights who wrote about issues that are concerned with the individual in America rather than the institution. In his theatre, the audience expects to see everything that concerns itself with the western culture and ignores that which is global. He is very much interested in the inner landscape of America rather than its position as the leader of the world. Thus, in his drama he preaches such ideology urging the US Administration to focus the attention on the American welfare. The research attempts an analysis on his play The States of Shock using the New Historicism approach through studying the writer’s point of view concerning the craft of war. Modern politics has been very influential on both the social as well as the literary scene. Wars, whether launched or were only loomed at, has been considered the most controversial subject about which plays, poems, and books were written. During the late 1980s and early 1990s, writers expressed their protest against political tyranny especially that events started to speed up towards a possible global word in the Middle East. |
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ISSN: |
1999-5601 |