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Alcoholism and Identity Change in Eugene O’Neill’s Long Day's Journey into Night

المصدر: مجلة جامعة كويه للعلوم الإنسانية والاجتماعية
الناشر: جامعة كويه
المؤلف الرئيسي: Alaaldin, Shno S. (Author)
مؤلفين آخرين: Abdulsalam, Hamid Badri (Co-Author)
المجلد/العدد: مج4, ع1
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2021
الشهر: يونيو
الصفحات: 45 - 52
DOI: 10.14500/kujhss.v4n1y2021.pp45-52
ISSN: 2522-3259
رقم MD: 1199401
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: HumanIndex, EduSearch
مواضيع:
كلمات المؤلف المفتاحية:
Alcoholics | Anderson | Identity Change | Long Day's Journey into Night | O’Neill
رابط المحتوى:
صورة الغلاف QR قانون
حفظ في:
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044 |b العراق 
100 |9 641797  |a Alaaldin, Shno S.  |e Author 
245 |a Alcoholism and Identity Change in Eugene O’Neill’s Long Day's Journey into Night 
260 |b جامعة كويه  |c 2021  |g يونيو 
300 |a 45 - 52 
336 |a بحوث ومقالات  |b Article 
520 |b Although much research has been written on the idea of substance abuse in the American theater, this paper presents a new perspective by discussing how the abuser can undergo an identity change. Drug and alcohol addiction is one of the salient themes of twentieth-century American theater. Playwrights like Eugene O’Neill depicted this social problem in their plays by drawing upon their own personal experience in substance abuse. The paper examines alcoholism and drug addiction in O’Neill’s Long Day's Journey into Night. It shows how addicts experience identity change during the course of their addiction. The main argument, in this paper, is based on some sociological research on alcoholism and identity change proposed by Tammy L. Anderson. Identity transformation of the addicts may result from the existence of various personal and environmental factors, which correlate to personal and social identity respectively. These factors will be used in relation to the characters of the play to show how addicts and alcoholics pass through several stages to reach their final identity change. Those characters, by immersing themselves in substance intake, cease to belong to ‘normals’ and in their search for a new identity they liaise with ‘deviants’ where they find affinity. When the curtain is drawn, the addicted characters have already embarked on their journey which will end, both literally and figuratively, in haziness and fog, a strong indication of their loss of sense of existence and self-awareness. 
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700 |a Abdulsalam, Hamid Badri  |e Co-Author  |9 641633 
773 |4 العلوم الإنسانية ، متعددة التخصصات  |4 العلوم الاجتماعية ، متعددة التخصصات  |6 Humanities, Multidisciplinary  |6 Social Sciences, Interdisciplinary  |c 006  |e Koya University Journal of Humanities and Social Sciences  |f Mağallaẗ ğāmiʿaẗ Kūyaẗ li-l-ʿulūm al-insāniyyaẗ wa-al-iğtimāʿiyyaẗ  |l 001  |m مج4, ع1  |o 2345  |s مجلة جامعة كويه للعلوم الإنسانية والاجتماعية  |v 004  |x 2522-3259 
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