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02242nam a22002297a 4500 |
| 001 |
1987060 |
| 041 |
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|a ara
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| 044 |
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|b العراق
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| 100 |
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|a ناصر، ساهر حسين
|g Nasser, Sahir Hussein
|e مؤلف
|9 323867
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| 245 |
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|a الألفاظ والأعلام المرتجلة بين الوضع والنقل
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| 260 |
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|b جامعة ذي قار - كلية الآداب
|c 2021
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| 300 |
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|a 76 - 93
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| 336 |
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|a بحوث ومقالات
|b Article
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| 500 |
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|a الجزء الأول. يناير 2021
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| 520 |
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|b Improvisation is a fact in Arabic that can not be denied, but it has limited impact... Some linguists counting improvisation is one of the methods of generation such as derivation, sculpture, contrast and joint verbal and tandem, while others are a stand-alone phenomenon, promised by others of the idiosyncrasies of the linguistic situation... Improvisation is the creation of something from nothingness; for poetic or linguistic necessity... Some linguists count improvisation as a kind of absurdity common among different circles of society, and soon ends, that is, it is limited in duration... The ancient poets and critics have made improvisation necessary, because it is the weight and rhyme of poetry. One of the most important results from this brief research is that the improvised flags have been divided into two parts, a section that has a material that is derived from them, which is the most often, and a section that has no material because they see the possibility of naming what does not know its origin. Once by Abu Al-Foteh Usman bin Jaini, he named the flags movable, and improvised after the old known as Khalil and Sibuya on behalf of the derivative of both types.
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| 653 |
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|a اللغة العربية
|a النحو العربي
|a الألفاظ المرتجلة
|a الشواهد الشعرية
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| 700 |
|
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|9 358708
|a السهلاني، مؤيد بدري منهي
|g Al Sahlanee, Muayad Badri
|e م. مشارك
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| 773 |
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|4 العلوم الإنسانية ، متعددة التخصصات
|6 Humanities, Multidisciplinary
|c 004
|e Dhi Qar Arts Journal
|l 034
|m ع34
|o 1066
|s مجلة آداب ذي قار
|v 000
|x 2073-6584
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| 856 |
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|u 1066-000-034-004.pdf
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| 930 |
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|d y
|p y
|q n
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| 995 |
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|a AraBase
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| 999 |
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|c 1238011
|d 1238011
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