ارسل ملاحظاتك

ارسل ملاحظاتك لنا







Najla Said’s Looking for Palestine: Identity at Crossroads

المصدر: مجلة الفنون والأدب وعلوم الإنسانيات والاجتماع
الناشر: كلية الإمارات للعلوم التربوية
المؤلف الرئيسي: Alamri, Dawla S. (Author)
المجلد/العدد: ع78
محكمة: نعم
الدولة: الإمارات
التاريخ الميلادي: 2022
الشهر: أبريل
الصفحات: 178 - 197
DOI: 10.33193/JALHSS.78.2022.663
ISSN: 2616-3810
رقم MD: 1273437
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: HumanIndex
مواضيع:
كلمات المؤلف المفتاحية:
Anorexia | Bakhtin | Chronotope | Diaspora | Edward Said | Looking for Palestine | Memoir | Najla Said
رابط المحتوى:
صورة الغلاف QR قانون
حفظ في:
LEADER 02724nam a22002297a 4500
001 2027991
024 |3 10.33193/JALHSS.78.2022.663 
041 |a eng 
044 |b الإمارات 
100 |9 677694  |a Alamri, Dawla S.  |e Author 
245 |a Najla Said’s Looking for Palestine:  |b Identity at Crossroads 
260 |b كلية الإمارات للعلوم التربوية  |c 2022  |g أبريل 
300 |a 178 - 197 
336 |a بحوث ومقالات  |b Article 
520 |b In her memoir, Looking For Palestine: Growing up Confused In An Arab-American Family (2013), Najla Said, the Palestinian-American actress, playwright, author, and activist, has raised more questions than giving answers, negotiating the space between a position of enunciation and the multiple yet diverse cultural legacies and political powers at play. This paper extends arguments on her memoir by focusing on how she portrays Palestine, excavating the memories of her childhood and adolescent years. The remote homeland portrait, Palestine, the abstract space established through her father‘s stories and media reports, is exposed to a new consciousness after her visit to Palestine in 1992 with her father, Edward Said, and family. The paper explores how Najla Said‘s journey to Palestine, along with the 9/11 attacks, was a pivotal turning point in her reconfiguration of self and identity while reconstructing the homeland. The paper also examines the inconsistent images of the homeland and the host land where Najla Said suffers from confusion and disintegration, trying to liberate herself from both prejudices, reidentified not only with the homeland but also with the host land. The paper analyzes Najla‘s narrative, with its chronotopic relationship that shapes her new consciousness of history and the landscape. It also examines how Najla Said traverses the space and friction between filiation and affiliation to live her life, to find her own voice and space in a more humane universal world that enjoys love, peace, and art. 
653 |a نقد الكتب  |a سعيد، نجلاء  |a المذكرات الشخصية 
692 |b Anorexia  |b Bakhtin  |b Chronotope  |b Diaspora  |b Edward Said  |b Looking for Palestine  |b Memoir  |b Najla Said 
773 |4 الادب  |4 العلوم الإنسانية ، متعددة التخصصات  |6 Literature  |6 Humanities, Multidisciplinary  |c 010  |e Journal of Arts, Literature, Humanities and Sociology Sciences  |f Mağallaẗ al-funūn wa-al-adab wa-ʿulūm al-insāniyyāt wa-al-iğtimāʿ  |l 078  |m ع78  |o 1889  |s مجلة الفنون والأدب وعلوم الإنسانيات والاجتماع  |v 000  |x 2616-3810 
856 |u 1889-000-078-010.pdf 
930 |d y  |p y  |q n 
995 |a HumanIndex 
999 |c 1273437  |d 1273437 

عناصر مشابهة