المصدر: | مجلة الآداب والعلوم الإنسانية |
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الناشر: | جامعة المنيا - كلية الآداب |
المؤلف الرئيسي: | Shelkamy, Sarah (Author) |
المجلد/العدد: | ع86, مج4 |
محكمة: | نعم |
الدولة: |
مصر |
التاريخ الميلادي: |
2018
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الشهر: | يناير |
الصفحات: | 1013 - 1028 |
DOI: |
10.21608/fjhj.2018.174638 |
ISSN: |
1687-2630 |
رقم MD: | 1279923 |
نوع المحتوى: | بحوث ومقالات |
اللغة: | الإنجليزية |
قواعد المعلومات: | AraBase, HumanIndex |
مواضيع: | |
رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
المستخلص: |
Vladimir Nabokov is one of the outstanding postmodern metafictionists of the 20th century. He is a Russian-born American poet and fiction writer, essayist and professor of literature. In writing his novels, Nabokov's main concern is that they should be patterned. One of the patterns on which he builds his novels is the level of the 'reality' they present. The only reality of a text, for Nabokov, is the one which is created by the reader's imagination, as he believes that reality can never be fully attained because of its infinite levels of perceptions. This paper attempts to give an in-depth analysis of how reality can be created through perception despite of the confusion between illusion and reality a metafictional novel usually presents, supported by examples from Nabokov's two novels under study The Real Life of Sebastian Knight (1941), and Pale Fire (1962). |
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ISSN: |
1687-2630 |