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|3 10.21608/idj.2022.210336
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|a ara
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|b مصر
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|a المصري، مروة محمد مصطفى
|q Almasry, Marwa Mohammed Mustafa
|e مؤلف
|9 496095
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| 245 |
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|a القيم الجمالية في الفن التجميعي "الأسمبلاج" ودورها في تعزيز التفاعل بين الفنان والمتلقي
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|a Aesthetic Values in Assemblage Art and their Role in Stimulating Artist and Recipient Interaction
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|b الجمعية العلمية للمصممين
|c 2022
|g يناير
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|a 217 - 232
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| 336 |
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|a بحوث ومقالات
|b Article
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|a هدف البحث للتعرف على دور القيم الجمالية في الفن التجميعي في تعزيز التفاعل بين الفنان والمتلقي، ومن أجل تحقيق أهداف البحث تم استخدام المنهج الوصفي والمنهج التاريخي وبناء أداة استبانة تم توزيعها من خلال العينة القصدية على جمهور معرض 1/ 3/ 2021 للفن التجميعي في الرياض وبلغ عددهم (117) فردا، وكذلك إجراء المقابلة مع عدد من الفنانين وعددهم (28). ويجيب البحث على التساؤلات- ما القيم الجمالية المطلوبة في الفن التجميعي المعاصر من وجهة نظر المتلقين؟- كيف تسهم القيم الجمالية (الثقافية والاجتماعية) في الفن التجميعي المعاصر في تنمية الذائقة الفنية؟- ما آليات تفعيل العلاقة التبادلية بين الفنان والجمهور في الفن التجميعي؟ وقد تم التوصل إلى أن أهم القيم الجمالية لأعمال الفن التجميعي من وجهة نظر الفنانين هي قيمة ثقافة الاختلاف وترسيخ قيم الحفاظ على البيئة وإعادة التدوير، وترسيخ قيم الابتكار، في تشكل الفكرة وتوظيف الاشياء بطريقة تحسن العلاقة التبادلية بين الفنان والمتلقي. كما تبين أن أهم القيم الجمالية المطلوبة في الفن التجميعي المعاصر من وجهة نظر المتلقين هي: القيم البصرية التشكيلية، تليها القيم الابتكارية (الإبداع والأصالة)، تليها قيمه التأثير (تأثير العمل على وجدان المتلقي). وتبين أن القيم الجمالية (الثقافية والاجتماعية) في الفن التجميعي المعاصر تسهم في تنمية الذائقة الفنية لدى المتلقي. وأن القيم الجمالية في الفن التجميعي تسهم في تنمية الوعي الفني لدى المتلقي، وتبين أن أهم الآليات التي تسهم في تفعيل العلاقة التبادلية بين الفنان والجمهور في الفن التجميعي هي تبني الجهات المسؤولة للمواهب الفنية في مجال الفن التجميعي، وتقديم الدعم التشجيعي للفنانين والجمهور لإقامة معارض الفن التجميعي.
|b The emergence of the art of assembly in the modern art movement appeared at the beginning of the twentieth century; The spread of assemblage art coincided with the emergence of Dada artists who depend on the technique of (ready-made things), raising them to the level of works of art. Such as the work of the artist Marcel Duchamp (1886-1969 AD) (The Fountain), in which he used a (toilet) signed in the name of the toolmaker (where (Dadaism) as you can see (Al-Qara Ghouli, 2018) contributed to strengthening the ideas of this art in the art of the second half of the twentieth century. Starting with the Pop Art, which was called neo-Dadaism, as a result of its influence on the Dadaism (Duchamp) that adopted the technology of ready-made things and opened the way for possibility of producing art with any available material. Then followed the emergence of multiple technologies in the post-modern stage, which paved the way for the emergence of Assemblage art (Smith, 2000). And assembling art took the pace of postmodern art formation, through its aesthetic and structural characteristics associated with the effectiveness of technology, because the products of this art touched the levels of simplicity and ease of the recipient, and his sense of a kind of aesthetic values through ideas and multiple technical media for the work performed, was the style of And the artist's technique is an active role. And a prominent presence in highlighting the aesthetic values of assemblage art, and the recipient was able to understand those aesthetics due to its simplicity and feeling that it was close to it, and from here the research goal came to identify the role of aesthetic values in assemblage art in enhancing the interaction between the artist and the recipient ،By building a questionnaire that was distributed through the intentional sample to the audience of the 1/3/2021 exhibition of assemblage art in Riyadh (Kingdom of Saudi Arabia) and their number reached (117) individuals. Art, which contributes to the development of artistic awareness of the recipient. Problem: Research answers these questions :1- What are the aesthetic values required in contemporary assemblage art from the viewpoint of the recipients? 2- How do the aesthetic values (cultural and social) in contemporary assemblage art contribute to the development of artistic taste? 3- What are the mechanisms for activating the reciprocal relationship between the artist and the audience in assemblage art?
|b Methodology: Descriptive analytical method. Objective: Identifying the most important aesthetic values required in contemporary assemblage art from the viewpoint of the recipients and how aesthetic values (cultural and social) in contemporary assemblage art contribute to the development of artistic taste. Results: The most important aesthetic values of the works of assemblage art from the artists' point of view are the value of the culture of difference and the consolidation of the values of environmental preservation and recycling, and the consolidation of the values of innovation, in the formation of the idea and the employment of things in a way that improves the reciprocal relationship between the artist and the recipient. It was also found that the most important aesthetic values required in contemporary assemblage art from the viewpoint of the recipients are: visual visual values, followed by innovative values (creativity and originality), followed by the impact value (the effect of work on the recipient's conscience). It was found that the aesthetic values (cultural and social) in art Contemporary synthesizer contribute to the development of the artistic taste of the recipient. And that the aesthetic values in assemblage art contribute to the development of artistic awareness among the recipient, and it was found that the most important mechanisms that contribute to activating the reciprocal relationship between the artist and the public in assemblage art are the adoption of the responsible authorities for artistic talents in the field of assemblage art, and the provision of encouraging support to artists and the public to hold exhibitions of assemblage art.
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| 653 |
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|a الوعي الفني
|a القيم البصرية التشكيلية
|a القيم الابتكارية
|a فن الأسمبلاج
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| 692 |
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|a القيم الجمالية
|a الفن التجميعي
|a التذوق الفني
|a التفاعل الفني
|b Aesthetic Values
|b Assemblage Art
|b Artistic Appreciation
|b Artistic Interaction
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| 700 |
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|a النهاري، نورة بنت ناصر بن عائض
|g Al-Nahari, Nourah Nasser
|e م. مشارك
|9 662600
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| 773 |
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|4 فنون
|6 Art
|c 010
|e International Design Journal
|f Mağallaẗ Al-taṣmim Al-Dawliyyaẗ
|l 001
|m مج12, ع1
|o 2048
|s مجلة التصميم الدولية
|v 012
|x 2090-9632
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| 856 |
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|u 2048-012-001-010.pdf
|n https://www.idj.journals.ekb.eg/article_210336.html?lang=ar
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| 930 |
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|d y
|p y
|q n
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| 995 |
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|a HumanIndex
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| 999 |
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|c 1294493
|d 1294493
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