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The Notion of Appreciation in Space Design’s Approach from Conception to Reception and Perception

المصدر: مجلة التصميم الدولية
الناشر: الجمعية العلمية للمصممين
المؤلف الرئيسي: Souayah, Hajer (Author)
المجلد/العدد: مج12, ع2
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2022
الشهر: مارس
الصفحات: 343 - 348
DOI: 10.12816/idj.2022.222694
ISSN: 2090-9632
رقم MD: 1295852
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: HumanIndex
مواضيع:
كلمات المؤلف المفتاحية:
Appreciation | Culture | Design | Reception | Domestic | Space
رابط المحتوى:
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LEADER 02495nam a2200229 4500
001 2053716
024 |3 10.12816/idj.2022.222694 
041 |a eng 
044 |b مصر 
100 |a Souayah, Hajer  |e Author  |9 687936 
245 |a The Notion of Appreciation in Space Design’s Approach from Conception to Reception and Perception 
260 |b الجمعية العلمية للمصممين  |c 2022  |g مارس 
300 |a 343 - 348 
336 |a بحوث ومقالات  |b Article 
520 |b This article aims to discuss about the notion of appreciation in the domestic space design’s approach. It is a connection between persons and their private space. This puts in tension several probabilities of approaches. On the one hand, there is the subjectivist approach, which supposes that the appreciation is due to personal factors. On the other hand, there is the objectivist position. This position claims that appreciation comes from the qualities of space: aesthetic, kinesthetic, sensory, or functional qualities. The third approach, the heterometric approach, which focuses on others and the view of others. Then, we talk about external causes, social factors, fashion, trends and economic issues. Our research hypothesis is about interactionism. We suppose that we cannot limit the notion of appreciation only in these angles: the subjectivist, objectivist, or relativist. Several factors participate in this process. What makes the difference from one person to another is the position of one factor in relation to another. This positioning in fact defines the comfort and well-being of each space receiver, which is an image of his culture. The position can be “in cascade or in juxtaposition”. Indeed, our culture defines all our personal filters, our memories, our spatial experiences and trends that we live. The notion of appreciation is all about interaction. This interaction is the image of our general culture. 
653 |a التصميمات المعمارية  |a الفنون المعمارية  |a العوامل النفسية  |a التفكير التجريبي 
692 |b Appreciation  |b Culture  |b Design  |b Reception  |b Domestic  |b Space 
773 |4 فنون  |6 Art  |c 031  |e International Design Journal  |f Mağallaẗ Al-taṣmim Al-Dawliyyaẗ  |l 002  |m مج12, ع2  |o 2048  |s مجلة التصميم الدولية  |v 012  |x 2090-9632 
856 |u 2048-012-002-031.pdf  |n https://www.idj.journals.ekb.eg/article_222694.html?lang=ar 
930 |d y  |p y  |q n 
995 |a HumanIndex 
999 |c 1295852  |d 1295852 

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