Feminist Theatre: New Norms and Procedures to Revolt
| المصدر: | مجلة القادسية في الآداب والعلوم التربوية |
|---|---|
| الناشر: | جامعة القادسية - كلية التربية |
| المؤلف الرئيسي: | Alsanafi, Ismael Hasan (Author) |
| المجلد/العدد: | مج22, عدد خاص |
| محكمة: | نعم |
| الدولة: |
العراق |
| التاريخ الميلادي: |
2022
|
| الشهر: | نيسان |
| الصفحات: | 23 - 40 |
| ISSN: |
1992-1144 |
| رقم MD: | 1326335 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | EduSearch, AraBase |
| مواضيع: | |
| كلمات المؤلف المفتاحية: |
Theatre | Cross-Gender | Aesthetics | Feminist | Patriarchy
|
| رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
| LEADER | 02554nam a22002297a 4500 | ||
|---|---|---|---|
| 001 | 2084907 | ||
| 041 | |a eng | ||
| 044 | |b العراق | ||
| 100 | |a Alsanafi, Ismael Hasan |e Author |9 703183 | ||
| 245 | |a Feminist Theatre: |b New Norms and Procedures to Revolt | ||
| 260 | |b جامعة القادسية - كلية التربية |c 2022 |g نيسان | ||
| 300 | |a 23 - 40 | ||
| 336 | |a بحوث ومقالات |b Article | ||
| 520 | |b So as to deliver the message of revolt and dissent, feminist playwrights have established new theatrical technique to oppose the old dominant patriarchal norms. Consequently, some feminist theatres have adopted ‘cross-gender’ technique in conducting their literary plays to present their feminist perspective and culture, to some extent, to express their feminist aesthetic as part of their culture. It is acknowledged that theatre used certain techniques in order to produce specific effects which are necessary for any literary play. This research paper intended to explore the technique of ‘crossgender’ in the theatre of feminist. The aforementioned technique is considered as a form of feminist aesthetics and a kind of protest that challenged against all conventional dramatic structure of theatre to undermine dominant patriarchal ideology performing in plays in specific in order to establish their feminist culture and subjectivity. In fact, ‘cross gender’ technique is highly recognized as one significant aspect of aesthetic approaches in theatres of feminist. The current paper has adopted the feminist theory as an attempt to shed light on the concept ‘cross-gender’ technique in a theatre of feminist as an important kind of feminist aesthetics through various feminist perceptions: social and radical feminism. It attempted to explore how could ‘cross gender’ assist the social and radical feminists to accomplish their required aims. | ||
| 653 | |a المسارح النسوية |a تكنولوجيا المعلومات |a الثقافة الإعلامية |a الأدب المسرحي | ||
| 692 | |b Theatre |b Cross-Gender |b Aesthetics |b Feminist |b Patriarchy | ||
| 773 | |4 الادب |4 التربية والتعليم |6 Literature |6 Education & Educational Research |c 048 |e Journal of Al-Qadisiya in Arts and Educational Sciense |f Maǧallaẗ al-qādisiyyaẗ |l 999 |m مج22, عدد خاص |o 0961 |s مجلة القادسية في الآداب والعلوم التربوية |v 022 |x 1992-1144 | ||
| 856 | |u 0961-022-999-048.pdf | ||
| 930 | |d n |p y |q n | ||
| 995 | |a EduSearch | ||
| 995 | |a AraBase | ||
| 999 | |c 1326335 |d 1326335 | ||
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