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|b The study sought to establish the functional and aesthetic value of the relationship between sculpture and architecture. The success of an architectural work is dependent on the integration of the architectural work and its sculptural value, which is primarily dependent on the designer's understanding of the role of sculpture in architectural work. Architecture has become a rostrum for the art of relief sculpture, whether on the outside or inside of architectural structures. As a result, relief sculpture contributed to the enrichment of architecture with aesthetic values that combined form and content. The subject of the study is determined by the scarcity of studies on developing the appearance of mosque ornamentation through the use of geometrical abstraction. The research aims to use geometrical abstraction to create designs for use in the decoration of internal and external mosques. The inventive designs were transformed from two-dimensional to sculptural designs three-dimensional for use on the mosque. 23 designs were created using geometrical abstraction and converted into three-dimensional sculptural designs, and 10 designs were applied virtually on the inside and outside of the mosque using computer Programs. One of the most significant findings of the study is that geometrical abstraction can be used to create designs that suit all architectural formations used in architectural decorative inside and outside mosques. The research problem despite of there are various research studies looking the architectural features and aesthetical values of Islamic architecture, research works concerning this architecture from the scientific and specialized perspectives are as yet restricted, This research investigates Geometric abstraction in Islamic arts that were applied Architectural Ornaments of masjids like embellishment, cornice, friezes, columns, ceiling, walls and façades More unequivocally, besides that All previous research and studies condense on the Islamic ornament itself by focusing on the type, style, color and lineage as a traditional art that belongs to the Islamic culture long time ago, and the research problem has crystallized in it tries to answer the theses questions, How to employ Islamic art's use of geometric abstraction to create attractive patterns for use in mosques, is it possible to use the creative decorative geometric pattern both inside and outside the mosque, How to use Islamic creative traditions' artistic techniques as a source of modern creativity in the fields of design in general and developing architectural adornment in particular, How effective is Islamic art's singularity in inspiring innovative concepts for mosque decoration and what philosophical principles govern the Islamic Abstractism geometric Arts' aesthetics and The research objectives are1, benefiting from geometric abstraction at Islamic arts to create ornamental decorations for mosques and establish Islamic identity, rooting of the concept of ornament functionality as a heritage and how to utilize them in a modern way under the shade of technological development., giving creative design solutions inspired by the Islamic geometric patterns to produce sustainable art work as ornament of mosque and Highlight Aesthetics of Islamic geometric patterns and their contribution to the ornamentation of mosques and other Islamic building and the importance of research in investigating the functional and aesthetical aspects of Geometric abstraction in Islamic arts and studying the functional and aesthetical aspects of architectural ornament in Islamic architecture. This research is mainly based on Experimental and Analytical approaches. One of the most important results is Islamic ornamentation is not a fixed heritage art form comprised of fixed elements and forms, It is a living art form that can introduce new elements based on the changing effects as indicated by human vision in through the years,All decorative elements support the principles of infinity, abstraction, symmetry, repetition, and bordering, Despite differences in materials, production techniques, and so on, these principles established ornamental unity in all areas of Islamic art decoration, The study reached a proposal for a group of innovative designs within the field of designing for decorative of mosque and Islamic buildings by making use of the principles of abstraction in Islamic art and The abstract decorative vocabulary of Islamic art represented building units of a common style, allowing the use of those units in the formulation of artistic works, as well as the possibility of employing those standard decorative vocabulary in contemporary ornament architectural design works.
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