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Naked Truths as a Credo of Protest in Allen Ginsberg's "Howl"

المصدر: مجلة آداب الفراهيدي
الناشر: جامعة تكريت - كلية الآداب
المؤلف الرئيسي: Abdullah, Alaa Ahmed (Author)
المجلد/العدد: مج15, ع52
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2023
الشهر: كانون الثاني
الصفحات: 491 - 499
DOI: 10.51990/2228-015-052-053
ISSN: 2074-9554
رقم MD: 1340313
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: AraBase
مواضيع:
كلمات المؤلف المفتاحية:
Teaching English | Beat Movement | Allen Ginsberg | Howl | Naked Truths | Credo of Protest
رابط المحتوى:
صورة الغلاف QR قانون
حفظ في:
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520 |b In the aftermath of the Second World War, the United States was abounded with darkened repercussions represented by waging wars such as the cold war, the Vietnam War, and the appearance of various ideologies as materialism, consumerism, sexual freedom, racial struggles and many other examples and consequently, new trends and movements appeared to rebel against the conventional norms that prevailed during that time. The rebellion took an upward trajectory crystalizing itself in diverse forms namely: the religious, political, social and literary ones. Unruly politics and queer activisms defied the commonplace hetero-normative ways of peaceful demonstrations. The beat movement burst out against what was believed as repressive, dehumanized, corrupt, and unjust in the United States of America. Allen Ginsberg's monumental poem "Howl" seems to be the manifesto of the movement. Most striking quality is the use of naked truth as an expression of the poet's own eccentricity. This quality makes the poem a landmark of eccentricity. "Howl" reflects and connotes a deeply celestial interpretation. A celestial reading of the poem will mend its presupposed deformed image, prove the opposite, and support the basic theme of protest which is at the center of the beat movement. 
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