A Semiotic Reading of Sarah Kane’s 4.48 Psychosis
| المصدر: | مجلة القادسية للعلوم الإنسانية |
|---|---|
| الناشر: | جامعة القادسية - كلية الآداب |
| المؤلف الرئيسي: | Al-Hasnawi, Rusul Sami Jabbar (Author) |
| المجلد/العدد: | مج25, ع4 |
| محكمة: | نعم |
| الدولة: |
العراق |
| التاريخ الميلادي: |
2022
|
| الصفحات: | 468 - 490 |
| ISSN: |
1991-7805 |
| رقم MD: | 1347925 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | HumanIndex |
| مواضيع: | |
| كلمات المؤلف المفتاحية: |
Semiotic Analysis | Sign-Systems | Sarah Kane | Cruelty | 4.48 Psychosis
|
| رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
| LEADER | 02350nam a22002177a 4500 | ||
|---|---|---|---|
| 001 | 2103443 | ||
| 041 | |a eng | ||
| 044 | |b العراق | ||
| 100 | |9 714738 |a Al-Hasnawi, Rusul Sami Jabbar |e Author | ||
| 245 | |a A Semiotic Reading of Sarah Kane’s 4.48 Psychosis | ||
| 260 | |b جامعة القادسية - كلية الآداب |c 2022 | ||
| 300 | |a 468 - 490 | ||
| 336 | |a بحوث ومقالات |b Article | ||
| 520 | |b The present study aims at analyzing Sarah Kane’s 4.48 psychosis from a semiotic point of view. Sarah Kane is a significant English playwright whose play, 4.48 psychosis, constitutes a huge turn in her dramatic creation. Kane's psychosis is rich with signs that reflect the mental collapse and social isolation of the main character. The process of delivering a meaningful message involves the use of different items or 'codes' that correlate with each other. In the drama this 'code system' involves many aspects like language, body movement, costume, décor, and sound effects, but Psychosis neglects the traditional use of these items and relies only on the spoken word. Semiotic analysis, then, seeks to deconstruct the play to its essential parts and see how a play that dispenses with most dramatic aspects can be understood as a play and consequently be performed. Psychosis takes the spoken word to be the central element of its construction. However, the language of the play is very powerful, it provides alternative signs to the absence of scenic directions concerning character’s movement, stage appearance and inarticulate sounds. Thus, the analysis of the play aims at finding the different theatrical aspects within the language of the text and what type of message they are used to deliver. | ||
| 653 | |a الأدب المسرحي |a الفنون المسرحية |a النقد الأدبي |a كين، سارة، ت. 1999 م. | ||
| 692 | |b Semiotic Analysis |b Sign-Systems |b Sarah Kane |b Cruelty |b 4.48 Psychosis | ||
| 773 | |4 العلوم الإنسانية ، متعددة التخصصات |6 Humanities, Multidisciplinary |c 022 |e Journal of Al-Qadisiya for Humanities Sciences |f Al-qādisiyyaẗ li-l-ʻulūm al-insāniyyaẗ |l 004 |m مج25, ع4 |o 0963 |s مجلة القادسية للعلوم الإنسانية |v 025 |x 1991-7805 | ||
| 856 | |u 0963-025-004-022.pdf | ||
| 930 | |d n |p y |q n | ||
| 995 | |a HumanIndex | ||
| 999 | |c 1347925 |d 1347925 | ||
عناصر مشابهة
-
A Durkheimian Reading of Sarah Kane's 4.48 Psychosis
بواسطة: El Bagoury, Mahmoud منشور: (2022) -
The Derailed Decentered Subject in Sarah Kane’s 4.48 Psychosis
بواسطة: Fahim, Lamia Farouk منشور: (2019) -
Trauma and Depression in Contemporary British Theatre: A Study in Sarah Kane's 4.48 Psychosis
بواسطة: Bilal, Hind Sabah منشور: (2019) -
The Sexual Conflict in Sarah Kane’s Blasted
بواسطة: عبدالحسين، محمد ناصر منشور: (2023) -
Investigating the Notion of Beyond the Zone of Comfort Catharsis and Probing the Concept of Pain in Howard Barker's 'Blok / Eko'and Sarah Kane's '4.48 Psychosis
بواسطة: محمود، نيفال نبيل منشور: (2018)
