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الرئيسية > Family Construction in Modern...>مارك

Family Construction in Modern American Drama with a Reference to Tennessee Williams’ Cat on a Hot Tin Roof

المصدر: مجلة القادسية للعلوم الإنسانية
الناشر: جامعة القادسية - كلية الآداب
المؤلف الرئيسي: Alsanafi, Ismael Hasan (Author)
المجلد/العدد: مج25, ع4
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2022
الصفحات: 491 - 509
ISSN: 1991-7805
رقم MD: 1347932
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: HumanIndex
مواضيع:
الدراما الأمريكية | بناء الأسرة | النقد الفني | وليامز، توماس لانييه، ت. 1983 م.
كلمات المؤلف المفتاحية:
Harmony | Feminism | Alienation | Patriarchy | Maggie | Brick
رابط المحتوى:

الناشر لهذه المادة لم يسمح بإتاحتها.
صورة الغلاف QR قانون
حفظ في:
LEADER 02912nam a22002177a 4500
001 2103453
041 |a eng 
044 |b العراق 
100 |9 703183  |a Alsanafi, Ismael Hasan  |e Author 
245 |a Family Construction in Modern American Drama with a Reference to Tennessee Williams’ Cat on a Hot Tin Roof 
260 |b جامعة القادسية - كلية الآداب  |c 2022 
300 |a 491 - 509 
336 |a بحوث ومقالات  |b Article 
520 |b This paper aims to study Williams’ Cat on a Hot Tin Roof, concentrating on the theme of ‘family’, which is the smallest unit of any community, to explore how was the American life in the second half of twentieth century. The study plans to figure out the impact of the social and political matters in the second half of twentieth century such as (Second World War, materialism, etc) upon American community in general and family construction in particular. Tennessee’s Cat on a Hot Tin Roof was conducted during a phase of enormous prosperity as well as socio-political disturbance in 1950s. Tennessee Williams is the best American dramatist who sincerely portrays the life of individual and society of his time. The selected play of this study is characterized by a concept of ‘multigenerational play’ by which one nuclear family is expanded to a larger circle of extended family and grandparents. This paper has a feminist perspective in analyzing the play’s incidents and actions, this theory is the only adopted framework for this study. The paper focuses on two trends, first; the relationships among all family members in general, second, the connection between the cat (Maggie) and the other members of the family, such as her relation with her hubby in specific, and attempts to discover the framework of family’s power and the origin of that competence in the scope of Pollitt family. Concepts like illusion, gender, family race, male chauvinism and discrimination are considered important. The study concludes that it is hardly to find well-structured harmonious family and the inner struggle is the only sense which is exposed to the readers/audiences among all characters in the play. Moreover, the family is also involved in useless effort of making their life meaningful and coherent. 
653 |a الدراما الأمريكية  |a بناء الأسرة  |a النقد الفني  |a وليامز، توماس لانييه، ت. 1983 م. 
692 |b Harmony  |b Feminism  |b Alienation  |b Patriarchy  |b Maggie  |b Brick 
773 |4 العلوم الإنسانية ، متعددة التخصصات  |6 Humanities, Multidisciplinary  |c 023  |e Journal of Al-Qadisiya for Humanities Sciences  |f Al-qādisiyyaẗ li-l-ʻulūm al-insāniyyaẗ  |l 004  |m مج25, ع4  |o 0963  |s مجلة القادسية للعلوم الإنسانية  |v 025  |x 1991-7805 
856 |u 0963-025-004-023.pdf 
930 |d n  |p y  |q n 
995 |a HumanIndex 
999 |c 1347932  |d 1347932 

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