المصدر: | المجلة الجزائرية للأبحاث والدراسات |
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الناشر: | جامعة محمد الصديق بن يحيى جيجل |
المؤلف الرئيسي: | Bellour, Leila (Author) |
المجلد/العدد: | مج6, ع4 |
محكمة: | نعم |
الدولة: |
الجزائر |
التاريخ الميلادي: |
2023
|
الشهر: | أكتوبر |
الصفحات: | 298 - 310 |
ISSN: |
2602-5663 |
رقم MD: | 1447768 |
نوع المحتوى: | بحوث ومقالات |
اللغة: | الإنجليزية |
قواعد المعلومات: | EduSearch, HumanIndex |
مواضيع: | |
كلمات المؤلف المفتاحية: |
Myth | Misogyny | Sex | Animality | T. S. Eliot | Sweeney Among the Nightingales
|
رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
المستخلص: |
Many critical works on T. S. Eliot’s use of myths, in his poems, have probed the subject in relation to his critical essays on the mythical method, following the guidelines of “impersonality” which requires the author’s emotional detachment in the process of artistic creation. Thus, these critical works have not solicited attention to how Eliot’s use of myth veers profoundly from his theoretical stance. This paper evinces that in his poem, “Sweeney Among the Nightingales,” the poet employs myths, which are concerned with gender antagonism and corrupt sexual relations to consolidate his misogynistic views and preserve the old patriarchal system. Significantly, misogyny in “Sweeney Among the Nightingales” remains unexamined by Eliot’s scholars. |
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ISSN: |
2602-5663 |