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الرئيسية > سيميائية العنوان في الرواية ال...>الوصف

سيميائية العنوان في الرواية اليمنية الجديدة "2015-2022": نماذج مختارة

العنوان بلغة أخرى: The Semiotics of the Title in the New Yemeni Novel "2015-2022": Selected Models
المصدر: مجلة الآداب للدراسات اللغوية والأدبية
الناشر: جامعة ذمار - كلية الآداب
المؤلف الرئيسي: أبو طالب، إبراهيم محمد (مؤلف)
المؤلف الرئيسي (الإنجليزية): Abu Talib, Ibrahim Mohammed
المجلد/العدد: مج6, ع1
محكمة: نعم
الدولة: اليمن
التاريخ الميلادي: 2024
الشهر: مارس
الصفحات: 99 - 134
ISSN: 2707-5508
رقم MD: 1456343
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: AraBase
مواضيع:
الروايات العربية | سيميائية العنوان | اللسانيات الحديثة | الأنساق الثقافية
كلمات المؤلف المفتاحية:
الرواية اليمنية الجديدة | سيميائية العنوان | موضوع الحرب | الحدث والوصف | المكان والزمان | The New Yemeni Novel | Semiotics of the Title | The Themes of War | Event | Description | Place and Time
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المستخلص: The study of verbal irony is a complex form of communication that relies on a variety of contextual, implied, and intention-based aspects. The linguistic-based model provides a structured framework for dissecting the show's use of irony, allowing viewers to appreciate the nuanced interplay between language, context, and character dynamics that makes "Friends" a timeless and beloved sitcom. The study found that pragmatics and irony are interconnected through concepts like contextual interpretation, implicature, flouting maxims, tone and intonation, presuppositions, and politeness strategies. Understanding irony often relies on pragmatics because it involves context, implied meanings, and speaker intentions. The study concludes that "Friends" effectively uses verbal irony to enhance humor, deepen character dynamics, and convey underlying emotions. The linguistic-based model provides a structured framework for appreciating the show's use of irony.

The research aims to explain the semiotics of the title in the new Yemeni novel between the years 2015 and the middle of 2022. Four novels that belong to one semiotic field, which is war and the expression of people’s lives in it, were selected. They are Unprotected Migrants by Hayel Al- Madhabi, The Burning Field by Rayan Al Shaibani, The Cain’s Freak by Balqis Al-Kabsi, and Five Days That No One Heard by Badr Ahmed respectively. The research was based on the semiotic approach and consisted of a preface, a brief introduction that focused on the concept of the title, its importance, its function, and its relationship to semiotics, and four sections that divided the titles, which amounted to (299) novels, into titles that indicate the event or description, a second that indicates the place, and a third that indicates the name of a character or animal and a fourth that indicates time. The research concluded that the titles of the novels mostly revolved around a large semantic field (war, death, love, and history), all of which controlled the writer and directed the title to describe the events he was experiencing whether these events are directly present in the content of the novel and its story, or whether they are indirect, such as in imaginative projections, narrations of history, or other various social topics.
ISSN: 2707-5508

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