المصدر: | دراسات معاصرة |
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الناشر: | المركز الجامعي الونشريسي تيسمسيلت - مخبر الدراسات النقدية والأدبية المعاصرة |
المؤلف الرئيسي: | Chabira, Hanane (Author) |
مؤلفين آخرين: | Messaoudi, Lila (Co-Author) |
المجلد/العدد: | مج8, ع1 |
محكمة: | نعم |
الدولة: |
الجزائر |
التاريخ الميلادي: |
2024
|
الشهر: | جوان |
الصفحات: | 475 - 484 |
DOI: |
10.37172/1901-008-001-043 |
ISSN: |
2571-9882 |
رقم MD: | 1479637 |
نوع المحتوى: | بحوث ومقالات |
اللغة: | الإنجليزية |
قواعد المعلومات: | AraBase |
مواضيع: | |
كلمات المؤلف المفتاحية: |
Postmodernism | Consumer Society | Commodities | The Catcher in the Rye | Identity
|
رابط المحتوى: |
المستخلص: |
The postmodern world appears to be characterized by the ubiquitous existence of material objects as they have evidently transformed the modern society into a materialized one. The unfulfilled pursuit of personal gratification, comfort, and social aspiration has led people to over-consume. This article explores the intricacies of consumer culture in J.D. Salinger’s, The Catcher in the Rye (1951). Set in 1950s America, the novel provides a satirical depiction of the protagonist's self-discovery journey amidst the chaos of a consumer-driven society. This paper aims to demonstrate that The Catcher in the Rye presents a critique of the American consumer society and its effects on the characters’ identity and psyche. |
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ISSN: |
2571-9882 |