| المستخلص: |
Truthfully looking into Hazem Kortajni’s theory is very important in modern studies, since we are in need of such studies that tries to connect our old critical and lyrical heritage and the modern theoretical style from the research perspective of the poetical laws embodied by the old and treated by the modern using synonyms and names that comes very close to the old ones. Hazem Kortajni’s creativity theory is deeply connected with the lyrical struggles which he counted as a definer of a literary style, represented by a good steadfastness that makes the speech flowy and connected, adds an artistic beauty which makes it enjoyable to the receiver, besides the of compatibility between words and meanings, because the matter does not only depend on the compatibility of letters and words and phrases and meanings and rhythm, but also the compatibility in simulation, purposes and meters so the text can achieve the quality, beauty and connectivity. And that stylistic compatibility is not achieved unless the text was enriched by beautiful lyrical colors like: comparison, division, explanation and compatibility and branching and else, and this helps in achieving compatibility between opposite things, the thing that involves in strengthening a text and deliver it with a receiver that reacts to it, as a result o these styles that triggers a reaction and a motivation from him. Finally, Hazem Kortajni is one of the leads in the beautifying theory in Arabic criticism, and he is the owner of an original approach that is built on the foundation of regulating the poetic creativity and depending on artistic beautifying and philosophical foundations, with imagination and simulation as its center, and connectivity between words and meanings, with the availability of a overall insight related to the original meaning of the text, if that did come to pass then the creative text gains a beautifying and poetical property.
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