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الرئيسية > الألوان في الشعر الليبي:...>الوصف

الألوان في الشعر الليبي: شعر محمد الفيتوري أنموذجاً: دراسة وصفية نقدية

العنوان بلغة أخرى: Colors in Libyan Poetry: Muhammad Al-Fayturi’s Poetry as a Model: A Descriptive Critical Study
المصدر: المجلة العربية مداد
الناشر: المؤسسة العربية للتربية والعلوم والآداب
المؤلف الرئيسي: بوطيب، خديجة بوطيب عبدالقادر (مؤلف)
المؤلف الرئيسي (الإنجليزية): Boutayeb, Khadija Boutayeb Abdel Qader
المجلد/العدد: ع27
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2024
الشهر: أكتوبر
الصفحات: 25 - 48
ISSN: 2537-0847
رقم MD: 1516916
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: AraBase
مواضيع:
الشعر الليبي | الصورة الشعرية | التراكيب الفنية
كلمات المؤلف المفتاحية:
الألوان | الاستبعاد | الحرية | الزنجي | Colors | Slavery | Freedom | Negro
رابط المحتوى:
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المستخلص: أسس الشاعر الليبي: محمد الفيتوري (١) في شعره، أنموذجا لجدلية الصراع بين الأنا والآخر، بين الحاضر والماضي، بين الأمكنة والأزمنة، بين الأسود والأبيض، بين الانتماء واللانتماء. وجاء شعره بوصفه تجسيدا وتمثيلا، للثورة على الرجعية والعبودية في إفريقيا.

Muhammad AI-Fitouri established in his poetry a dialectical model of the conflict between the ego and the other between the present and the past, between the places and times, between black and white, between, belonging and un belonging. His poetry Came as an Embodiment of African Reality Lt is Represented by the movement of rebellion, incitement, and revolution against Reaction and Slavery. His Poetry Builds the National Memory That we led by: Muhammad Mahdi Al- Gawahari, Abu-Al-Qasim Al- Shabi, Ahmed Rafiq, Al-Mahdawi and Others, during the Colonial invasion From the Late Nineteenth Century to the beginning of the Twentieth Century. This approach has profound impliations. lt was marked humanity and I moved from a Subjective Vision to an African -Arab perspective . The poets experience provided us with facts, memories, feelings and emotions. Grandma Zahral’s Cry Was equated With The sfferring of biackpeopie, In his poetry, that Was after she was kidnapped, as a child no more than nine years old, While she was watering water with her peers. This black grandmother was the one who contrited to igniting the slavery complex, especially after he saw his land made illegal by the white intruder. From there, the knot became a permanent feeling and nation. AL- Fitouri adds, "When 1 was young, I used to only see a person’s color, as if is the barrier between his value and his content,’ His poetry also builds the national memory led by: Muhammad Mahdi Al- Jawahiri, Abu Al-Shabi, Ahmaed Raflq Al-Mahdawi, and others, during the colonial invasion from the late nineteenth century to the beginning of the twentieth century. Her reading came as a model for the Stream consciousness, and creating this collective feeling, restructuring of history and in the adult and recall the memory. It relaxed what the African continent was subjected to in terms of invasion, alienation and exploitation.
ISSN: 2537-0847

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