The Reification of Islam in Don DeLillo’s Falling Man
| المصدر: | مجلة الكلم |
|---|---|
| الناشر: | جامعة احمد بن بله وهران 1 - مختبر اللهجات ومعالجة الكلام |
| المؤلف الرئيسي: | Arab, Samir (Author) |
| مؤلفين آخرين: | Hammad, Lamia Khalil (Co-Author) |
| المجلد/العدد: | مج9, ع2 |
| محكمة: | نعم |
| الدولة: |
الجزائر |
| التاريخ الميلادي: |
2024
|
| الشهر: | ديسمبر |
| الصفحات: | 339 - 363 |
| DOI: |
10.54190/2140-009-002-018 |
| ISSN: |
2661-7420 |
| رقم MD: | 1535368 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | AraBase, HumanIndex |
| مواضيع: | |
| كلمات المؤلف المفتاحية: |
Arabophobia | Islamophobia | Don DeLillo | Postmodernism
|
| رابط المحتوى: |
عدد مرات التحميل
1
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| 024 | |3 10.54190/2140-009-002-018 | ||
| 041 | |a eng | ||
| 044 | |b الجزائر | ||
| 100 | |9 560749 |a Arab, Samir |e Author | ||
| 245 | |a The Reification of Islam in Don DeLillo’s Falling Man | ||
| 260 | |b جامعة احمد بن بله وهران 1 - مختبر اللهجات ومعالجة الكلام |c 2024 |g ديسمبر | ||
| 300 | |a 339 - 363 | ||
| 336 | |a بحوث ومقالات |b Article | ||
| 520 | |b Since the advent of the cold war, American popular culture, media, and literature portray Arabs and Muslims as dangerous creatures and terrorists. For a cohort of critics, the American novel is a glaring example of what might be called the one-sided representation of Islam and Muslims. Post 9/11 American novel has taken the incidents seriously to react against terrorism and Islam. From 9/11’s ashes, Don DeLillo’s Falling Man makes its readers live the traumatic events and feeds on the issue of terrorism to bring back the old cultural antagonism between West and East, or ‘Self’ and ‘Other’. Within this context, this article examines the subjective representation of Islam in DeLillo’s novel. Relying on the critical assumptions of Edward Said, Ian Almond, and Michel Foucault, this scrutiny aims to show that postmodernist American fiction does not respond to the principle of refraction and the flexibility of meaning | ||
| 653 | |a الرواية الأمريكية |a رواية الرجل الساقط |a تجسيد الإسلام | ||
| 692 | |b Arabophobia |b Islamophobia |b Don DeLillo |b Postmodernism | ||
| 700 | |a Hammad, Lamia Khalil |e Co-Author |9 32709 | ||
| 773 | |4 اللغة واللغويات |6 Language & Linguistics |c 018 |e Al kalim |f Al-kalim |l 002 |m مج9, ع2 |o 2140 |s مجلة الكلم |v 009 |x 2661-7420 | ||
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| 930 | |d y |p y |q n | ||
| 995 | |a AraBase | ||
| 995 | |a HumanIndex | ||
| 999 | |c 1535368 |d 1535368 | ||
عناصر مشابهة
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Contesting the Story?: Plotting the Terrorist in Don DeLillo’s Falling Man
بواسطة: الدلالعة، نذير محمود منشور: (2013) -
Inverse Apocalypse in Don DeLillo‛s Falling Man
بواسطة: السيوفي، فاديا منشور: (2018) -
The Representation of Islam and Muslims in Don Delillo's Falling Man
بواسطة: Aldukhina, Iman Ahmed Ali منشور: (2015) -
Terrorism and Islam in John Updike's Terrorist and Don De Lillo's Falling Man
بواسطة: الأصفر، نور منشور: (2021) -
Conceptualizing Trauma in Don DeLillo’s Falling Man: A Cognitive Approach to 9-11 Trauma Metaphor
بواسطة: Jaff, Daban Qasim منشور: (2020)
