Through Semiotics and Hermeneutics: The Human Identity in Mark Romanek’s Film Adaptation Never Let Me Go 2010
| المصدر: | مجلة الرواق للدراسات الاجتماعية والإنسانية |
|---|---|
| الناشر: | المركز الجامعي أحمد زبانة غليزان - مخبر الدراسات الاجتماعية والنفسية والانثروبولوجية |
| المؤلف الرئيسي: | Mariya, Slimani (Author) |
| مؤلفين آخرين: | Mehiri, Ramdane (Co-Author) |
| المجلد/العدد: | مج10, ع2 |
| محكمة: | نعم |
| الدولة: |
الجزائر |
| التاريخ الميلادي: |
2024
|
| الشهر: | ديسمبر |
| الصفحات: | 949 - 969 |
| DOI: |
10.35779/2002-010-002-049 |
| ISSN: |
2437-0363 |
| رقم MD: | 1539032 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | EduSearch, HumanIndex |
| مواضيع: | |
| كلمات المؤلف المفتاحية: |
Semiotics | Hermeneutics | Cinematography | Human Identity | Biotechnology
|
| رابط المحتوى: |
عدد مرات التحميل
1
| المستخلص: |
This article studies Mark Romanek's film adaptation Never Let me go (2010) to analyze the humans' exercised control and the clones' reactionary intentional creation from semiotic and hermeneutic approaches. This cinematic work is based on the Nobel Prize winner Kazuo Ishigor's dystopian novel. The study uses semiotics in analyzing the film's cinematography to show the clones characters' preservation of their human identity despite the exercised control. Concerning hermeneutics, it is employed in interpreting the characters` dialogues by analyzing the used language that reveals the underlying themes. The research contributes in showing the challenge of preserving the human identity in a globalized world that is massively influenced by the constant change generated by technological development. |
|---|---|
| ISSN: |
2437-0363 |
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