| المستخلص: |
ونخلص مما تقدم إلي أن النار ودلالتها قد شكلت محورا من محاور مناحي العرب الفكرية ومعتقداتهم الدينية والأسطورية قبل الإسلام واستمر اعتقادهم بذلك حتي بعد ظهور الإسلام وخصها القرآن الكريم بعدد كثير من آياته الكريمة، فضلا عن دلالتها الفنية ولاسيما في لوحات افتتاح القصائد الجاهلية المتنوعة في الطلل والنسيب والظعن والحوار والحكمة وغيرها من الافتتاحات التقليدية فاستمد منها ومن دلالتها الشعراء ما أعانهم علي رفد تجاربهم الشعرية كما امتدت النار ودلالتها إلي المرحلة الثالثة من مراحل القصيدة التي تتمثل في موضوعات الفخر والحماسة أو المديح أو الهجاء أو الرثاء أو غيرها من الموضوعات التي خطط لها الشاعر منذ البداية لمعالجة التزامه الباعث علي القول ومن خلال استقراء النصوص الشعرية التي أثبتنا قسما منها في هذا البحث توضح ما لهذا العنصر من دلالة فنية وموضوعية فضلا عن البواعث النفسية من أهمية دفعت الشعراء إلي توظيفه في موضوعاتهم الرئيسية حتي امتد إلي ثنايا حكمهم ومواعظهم فاستعانوا به في تكوين الصور الشعرية. وفي الختام نود القول بأن هذا البحث ما هو إلا محاولة متواضعة واضافة ارجو ان تحتل موضعها في هذا النتاج الغزير الذي تناول به الباحثون المحدثون شعرنا العربي قبل الإسلام فان كان ذا فائدة فذلك هو الرجاء وإلا فحسبي أنني اجتهدت ولا كمال إلا لله وحده فله الحمد ومنه العون والسداد.
From this point we refer to fire and its evidences in the stanzas of the ignorant poetry and it is an out point resembles the point that painter depends on his pictures, since it explores at the end the imagination of the ignorant poets for the idea of fire and this imagination would prove that this research refers that the ignorant poet has comprehend the other things of foundation and concluded coral meanings and united ideas explore the mentality of the poet in foundation and dismisses the excludes the specific view of this foundation that he was accused. This made me convinced of writing this research is the view of ancient people to fire from one point of view represented in the relations of Arab theoretically and mythically, so they ignored different points one of them is that they neglected the poetic stanzas and its implications, so they dealt with few stanzas while the modern as I know simply and till now I did not find an independent study dealt with this object .Thus, this study has depended on the specific syllabus which is based and analyzing the stanzas and describing them mainly. The ignorant poets used fire and its pronunciations in their poetry and its evidences differed with the difference of the objects its names, its users, in the Arabic life before Islam. That's why the ignorant poets knew different kinds of fires they used each one for specific use expressing an insistant favour, so fire is the ideal way in this use. Ancient people said that the first one who made the fire in Musdalfa to be seen by someone who goes to Arafa and its one of the fires of Arab, so this fire is the fire of raining, coalition, fire of guards, fire of lion, fire of villages, fire of peace and fire sacrifisation. We conclude that fire and its evidences have represented a point of points of the Arabic religious and mythical beliefs before Islam and after the appearance of Islam specially in Holly Quran after a lot of its holly document in communication and wisdom, so and so from the traditional beginnings that Quran has taken from fire and its evidences in which the poets depended in their experiences so fire reached till the third stage of the stages of poem which is represented in the objects of enthusiasm, pride and another objects the poet planned for them, so this research proves that fire has an artistic and objective significance made the poets to employ in their major objects till the core of their wisdoms, so they borrowed it during the making of the poetic image.
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