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سينمائية التصوير القرآني

المصدر: مجلة الكلية الإسلامية الجامعة
الناشر: الجامعة الإسلامية
المؤلف الرئيسي: السلامي، عمار عبدالأمير راضي (مؤلف)
المؤلف الرئيسي (الإنجليزية): Al-Salam, Ammar Abdul-Ameer
المجلد/العدد: مج 4, ع 13
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2010
التاريخ الهجري: 1431
الصفحات: 405 - 435
DOI: 10.51837/0827-004-013-004
ISSN: 1997-6208
رقم MD: 190452
نوع المحتوى: بحوث ومقالات
قواعد المعلومات: IslamicInfo
مواضيع:
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المستخلص: Photography is of the most prominent technical means of expression in the holy Koran al Karim through which God Almighty for different contents and purposes, which dealt with by the sacred text sura in many parts. It means professional players in the recipient and able to raise his thoughts and feelings in the same time. The picture professional adopted through language and relations proximity and to achieve the post of deliberate use of language are raw materials to build relations and proximity and represent the way in which praises by origin and to take the form-General. Post and the purpose of photography was mentally or psychologically or technically, religious or otherwise. But there are factors intended to use creative after the formation of public construction of the picture. Within the scope of directing them with technical and in a manner similar to the face of those factors and means used by the film director in getting its forms and realized that pulling the recipient ويشوقه about what he sees. It is the most prominent of those roads or factors sizes the footage and photographs and corners photography and the movement of the transition from a picture to other, similar to the movement of the camera) in cinematography.

ISSN: 1997-6208