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|a إن (نورندا) الربيعي في انفتاحها، مرت بمرحلتين؛ الأولى: نحت منحى الرمز الصوفي المبيت الدلالة، ولكن الرمز هنا، لم يكن ذاتيا يخص الشاعر وحده موضوعا مدركا، وتعبيرا فنيا؛ لأن الشاعر رسم رمزه من خلال علاقته برمز تاريخي مهم، غني مثقل بهموم الإنسان قديما وحديثا. \ أما المرحلة الثانية: فقد تجلى الرمز الفني فيها في ومضة مركزة، تشع بالدلالات، فأثار وضعها عند المتلقي خيارات تحرضه على تغيير موقف، إزاء شيء بعينه، أو تعديل موقف، أو تثبيت موقف كان قد اتخذه بطرق مختلفة، والمهم في ذلك هو الكشف النفسي عن شيء بمساعدة شيء أخر، وليس المهم لمزيد من معرفة المعروف، والشاعر بهذا قد أعاد للكلمات سحرها البدائي بعد في مرت بمرحلة التجريد والتعميم. وفي هذه المرحلة فان الشاعر لم يسمح للواقع الخارجي أن يتسلل إلى قصيدته، لسرعة التحولات في المعنى للسياقي، إذ يعمد الشاعر إلى سكر انسيابية إيقاع الصورة بصورة غير متجانسة مع ما يسبقها وما يليها، كما في عبارة (المرئيات ظلال) في قوله: \ ((أجراس تقرع في الأعماق في لحظات الصمت تدوي تتعالى وتهز الروح أجراس في الأعماق تدق -تدق المرئيات ظلال)). \ وكما في جملة (يقرع أجراس الميلاد) في قوله: ((نورندا..هو ذا الليل صديق همومي يهبط ثانية وانا استلقي تحت قناديل الله/اسمع همسك/ينساب رقيقا من بعد كوكب يشعل في قلبي النيران ويقرع أجراس الميلاد.
|b The experience of the poet, Hadi Al-Rubaie (1944) the experience of the poetic impact player in the experience of the modem Iraqi poetry since the sixties until now. Totals have been issued to him nine poetry, the first in the ranking: Songs of the green jumper strange Menzalthanih issued in 1968; the search for time White in 1968 , And then departures in then inscriptions on the monument martyr in 1978, the Last Supper in ^ and issued to him in three sets poetry in 2000, namely: I love you now love you tomorrow, and Al- Darar al necklaces, and finally the world of angels. \ The spring was based on product features to the poetic style characterized from other poets, and this is encouraging students to search for extracting these functional advantages of hair spring, the most prominent symbol art embodied in the picture (Burundi) and new orientations to capture the intellectual and aesthetic values of multiple connotations. \ The choice of this topic for research based, inter alia self-justification lies in the gastronomic symbol of art in general, and especially Sufi symbol, which are of high inspiration and the ability of the poetic condensation, which gives the artist an opportunity to express the truth Tabkira spontaneously was not yet known the difference between the public and demonstrations Privacy living. \ The taste was different from that criticism, however, is the first phase of the task that must be crossed before the critic should stand towards them to ask about the same elements that were a source of artistic Shootout. That is the self¬justification, and there is objective justification, including a few studies that addressed the product of spring poetry in general, The central symbol (Burundi) in particular, the code which has been in the fabric of most reproductive totals reflected the poet, sometimes as negative, advancing through the Headset linguistically Nahyan of my sculpture (light) and (Sandy), even metaphysical openness to the approved welcome break functional nature of language and relationships Only to be met, including the movement and music and shadow Lexical fulcrum. \ It is important rationale that paved the way for such a study that focused on the function of literature and humanity, it is no longer modem literature never fun, but intended to be directed feature age because he was bom with manifestations of decomposition, anxiety and confusion, and those circumstances may make literature implies Pessimistic, was motivated to become tackling as is the case in the spring instead, but this was the interpretation of this interest in literature and illustrate the value impact in promoting those values, both of which intellectual or aesthetic, at a time when intimidate people from the right Mgsob permission, or the requirement of the project, That is why it should not be conscious of the artist's commitment to the right and found himself in the alien, it is not art unless it's tame without ecstasy, which knows no borders and only if everything Dreamer artists, and more who did not pay attention to the issues of the day, and that is not reason to restrict the artist Newman The partial much as it calls for partial conversion to a humanitarian year. Say what we need Birthday (Burundi) spring to her smooth and effective influence in the middle of this brutal world, which is heading Sidling pride of the values of right and humanity, and legitimacy, to obey human rights through convergence of bonds and the nation's hopes and thoughts , I heard to say: \ ((In this age / remain in the forest of fear / Voice animal brutality Squabbling over the remains stuck / But the martyrdom of the first row / granted to the fruition of colour \ To open branches across the thorny period in the jungle Sword route for the passage of the sun is Christmas)).
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