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الصورة الشعرية في هجاء الحطيأة دراسة في وظائفها التعبيرية والبلاغية

المصدر: مجلة مركز دراسات الكوفة
الناشر: جامعة الكوفة - مركز دراسات الكوفة
المؤلف الرئيسي: غازي، تومان (مؤلف)
مؤلفين آخرين: حميدي، خالد كاظم (م. مشارك)
المجلد/العدد: ع 20
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2011
التاريخ الهجري: 1432
الصفحات: 38 - 72
ISSN: 1993-7016
رقم MD: 238390
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: AraBase, EduSearch, IslamicInfo, EcoLink, HumanIndex
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المستخلص: The research conclude the following: 1. The tow researchers didn't look at imagery in partial rhetoric way , rather they studied its all details that represent the poet's clear vision upon literature, the poet's clear vision upon literature, rhythm and music, it performs two jobs: to approximate the abstract to the physical, and to collect two contradicting in one compound where the two parts lose their original cartelistic to be a new thing. 2. There are two types of imagery in Al-Hutayh's poetry, the first is the simple imagery that came from the direct expression , it has few samples, the second one is the imagery . that address imagination by . being a free tools expressing the abstract meaning the physical status , the real scene and the human sample within a deep ' and fantastic aesthetic frame enriched the receiver. 3. The analysis of imagery in Al-Hutayah's satire reveals an exact diagram of a stylistic status that is charming and delightful with cultural and esthetic facts that go beyond society and history because they deal with a speech creativity, attribute speech to society and history elements and re-build them overcoming the social immediacy limits and time- place text context.

ISSN: 1993-7016

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