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نستعرض من خلال هذا البحث جماليات الحروف العربية وأنواع وأسماء بعض الحروف العربية وأثرها في تغير مفهوم الخزف، وبعض أساليب تناولها ومدي الاستفادة من القواعد المتوارثة في الحروف العربية. كما يستعرض هذا البحث تحليل القيم الجمالية والتشكيلية في الحروف العربية ومدى الإفادة منها في التطورات الشكلية للحروف، ويوضح هذا البحث أيضا المقومات التشكيلية للحروف العربية من خلال مجموعة الخصائص والسمات التي تميزت بها الحروف العربية، وكذلك الأساليب التشكيلية في تناولها جماليا، بالإضافة إلى ما تتضمنه من محتوي تعبيري. كما يستعرض أيضا دور التقنية في إثراء دور الحروف العربية واختيار التقنية المساعدة في نجاح العمل الخزفي، سواء بطريقة الشرائح البترونية أو التشكيل بالتركيب لأكثر من جزء (التجميع). ويعرض أيضا مدي ارتباط الحروف العربية بالقيم التشكيلية وأثرها على الفنون الأوروبية والفنانين العرب في العصر الحديث، وكذلك عناصر وأسس التصميم التي يمكن توظيفها في الصياغة التشكيلية في الحروف العربية. ويستعرض أيضا مدي ارتباط جماليات الحروف العربية ومدي الإفادة منهم في إثراء التشكيل الخزفي المعاصر جماليا، ويستعرض أيضا الدراسة التطبيقية التي قامت بها الدارسة من خلال التجربة العملية والتي تشمل الأعمال الذاتية للدارسة وكذلك التصميمات التي قامت بتنفيذها من خلال الحاسب الآلي، لتحقيق الرؤية المقترحة والأهداف المرجوة لهذا البحث.
Reviews the current research to stand on the aesthetics of Arabic letters and their names and types of aesthetic and its role in the formation of ceramic, in addition to providing some of the methods that deal with the formation of ceramic designs using Arabic letters and the extent of benefit from the inherited rules in the art of Arabic letters. Search also reviews the extent to which Arabic letters Fine values and their impact on European artists and artists in the modern era, also addresses the research elements and principles of design and how to employ them in plastic drafting letters in Arabic. It also addresses the analysis of aesthetic values and plastic in the Arabic letters and the extent of benefit from the developments of form of the characters, and tries of this research also stand on the ingredients fine of Arabic scripts through a set of properties and the hallmark of the Arabic letters, and addresses the research methods of Fine dealing with the aesthetics of Arabic letters, as well as to the Provisions of the expressive content of an aesthetic value and the value of the plastic composition of the ceramic. It also tries to look also to link the technical role represented by the use of computer programs that addressed the methods of formation of the Arabic letters, as well as the choice of technical assistance in the success of ceramic, either slides Alaptronah or forming composition for more than one part (assembly) to enrich the composition of ceramic contemporary aesthetic, trying to create and employment opportunities for young people with artistic talent and innovators in the field of calligraphy and linked to the creative job market and professional needs so that young people can achieve their full human deactivated to keep pace with technological developments to find opportunities for a diverse market of Egyptian and Arab areas (such as the production of ceramics, design advertising, computer softwar). Also discussed the Applied Special designs forms ceramic using the aesthetics of Arabic letters in the light of the computer programs used in the labor market, these designs prepared by the researcher were presented and judged by a group of specialists in the field of art education and ceramics have been applied to a sample of students amateur effort by the researcher to create and job creation and investment of human resources for these talented to deal with the labor market with professionalism, skill and exploit technological possibilities provided by computer software through the programs of calligraphy so he can work in different areas and the opening of small projects in this area, in an attempt to keep pace with the revolution taking place in the country and the programs offered for young people to invest inactivated human potential and improve the Egyptian economy through the , These young people do small projects in the production of ceramics and innovative presentation of these works in the exhibitions provided by the State
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