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الرئيسية > جماليات الفراغ وشعرية الغياب ف...>الوصف

جماليات الفراغ وشعرية الغياب فى القصيدة الحديثة : ديوان حفيد امرئ القيس للشاعر سعدى يوسف اختيارا

المصدر: مجلة آداب ذي قار
الناشر: جامعة ذي قار - كلية الآداب
المؤلف الرئيسي: الخفاجي، كاظم فاخر حاجم (مؤلف)
المجلد/العدد: مج 1, ع 1
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2010
الشهر: كانون الثانى
الصفحات: 34 - 45
ISSN: 2073-6584
رقم MD: 362247
نوع المحتوى: بحوث ومقالات
قواعد المعلومات: AraBase
مواضيع:
الابداع الشعرى | يوسف ، سعدى | الشعراء العراقيون | الشعر العربى | الدواوين والقصائد | ديوان حفيد امرئ القيس | الاسلوب الادبى | الشعر الحديث
رابط المحتوى:
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المستخلص: The visual Poem leads us to turn from the Semantic of words and sounds to the Semantic of lcons to enrich the construction of the text and complicate its form. And then it is necessary to the typist to understand the text into two separate fields, the Field of Linguistic sign and the iconic sign. It is found that this field refers that is the visual Poem it is a creativity and not Perfect Arabic achievement but it is a picture coming from the western poetry which is studied by western critics who search in the function of the graphic sign and the value of the prating side as it is considered Semotic subject .It is not decreasing from the value of the creativity of the recent Arabic poet. So that it is not study that we want to reach in understanding the ethical of the article effect that the visual poem gets in particular and the modern poetry in general to their audience who epicure for this type of poetry and let it to continue and present in the critic poetic plat forms . In his poetical works<< Grandson of Amro'u AL_Qeiss>> represents for the force collection power to practice visual game its basic the different lines from the black thick lines towards the less black lines to make the audience treat with two different degrees of color. And the other prating from plays an important role in activate the activity of reading and understanding to make the audience leave the use of receiving the poems according the vertical inherit construction and putting it in anew treatment which its basic factor is to examine closely in the new graphic from according the big (D) which is the printing DAL and then small magnified Dawals (group of the letter D) in the black thick line or less blackness and thickness . The critic poet(Sa'ady yousif) gives the importance of ethical of his poetic texts starting from his understanding and convincing in renew in the poetic construction to reach creative novelty to invest the traditional cultural store and the western reading texts critically and creativity.
ISSN: 2073-6584

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