| المستخلص: |
The Qura'nic art has achieve the element of beauty by its deep emotional and psychological effects on the receiver on the level of affecting sense and reviving the structure and meaning of the aesthetic image not only according to his abilities, yet it makes him go ahead on the creative criticism due to the Qur'ani image richness. The Qura'nic text has achieve the highest degrees of the phonetic beauty by the terms tones harmony and the rhythm resulted from selecting and arranging terms in a special system where the single letter has a role in balancing the word and the verse and, this is the secret of the its sentence miracle. Beauty in the holy Qur'an is represented by its careful use of sounds on the levels of create the required atmosphere so that the receiver will feel the image by attracting the mind and feeling as well. Arabs still surprise with the holy Qur’an systems and styles resulted from being a new arts, it is neither poetry nor prose, it is a speech with no rhyme , yet it has the Qura'nic divider that changes from one style to another in a harmony with the semantics and context. The aesthetic aspect is one of the important functions of the Qura'nic divider where most of its sounds is of the most beautiful Arabic sounds that arc distinguished with being nasal sounds such as (the meern and noon), it represent a phonetic release or relaxation, in addition these sounds arc light and this feature makes them resemble the voiced sounds to he (semi- weak or soft sounds). (Alif) is the second of this order, on the level of using frequency in the Qura nic divider. These sounds are associated with (waw, yaa and alil) to increase the aesthetic field by being nearest to the nasality. Statically, the (noon) is the first rhyme sound followed by the (meem and alif), and (alif) is the most open one.
|
