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|a ara
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|b العراق
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100 |
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|a نعمة النفاخ، عبدالكريم جديع نعمة
|g Nematolnafakh, Abdolkarim Jadi
|e مؤلف
|9 176293
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245 |
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|a ملامح الأسلوبية عندالنقاد العرب في القرن الثالث الهجري :
|b نقاد البصرة أنموذجاً
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260 |
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|b المنتدي الوطني لأبحاث الفكر والثقافة
|c 2013
|m 1434
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300 |
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|a 283 - 303
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336 |
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|a بحوث ومقالات
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520 |
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|b Gaahz is the first pointed to the need for the inclusion of speech on the meaning directly or indirectly, regardless of whether speech honest or not.This topic advocated by stylistic expressive, so we are surprised to leave those important signals that establish this art of literature to established stylistic, individual stylistic features began to clear the critics in Basra, in the third century. A.H, has taken care of Asmaee pages.He focused on the qualities of virility, as peace focused on individual features, so poets divided into layers, and distinguished poets cities from others, and critics in Basra primarily focused on the importance of the environment and context and the receiver, these are all features stylisti
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653 |
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|a العصر العباسي
|a النقاد العرب
|a الأسلوبية
|a الدراسات الأدبية
|a النقد الأدبي
|a البصريون
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773 |
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|4 العلوم الإنسانية ، متعددة التخصصات
|6 Humanities, Multidisciplinary
|c 009
|e Hawlyat Al-Montada for Human Studies
|l 013
|m مج 6, ع 13
|o 0828
|s حولية المنتدى للدراسات الإنسانية
|v 006
|x 1998-0841
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856 |
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|u 0828-006-013-009.pdf
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930 |
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|d y
|p y
|q y
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995 |
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|a HumanIndex
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999 |
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|c 477279
|d 477279
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