الحلم والمواجهة في شعر عصر صدر الإسلام والعصر الأموي : دراسة موضوعية فنية
| المؤلف الرئيسي: | نعمان، ظبية ثابت (مؤلف) |
|---|---|
| مؤلفين آخرين: | الجنابي، علي حسن جاسم (مشرف) |
| التاريخ الميلادي: |
2010
|
| موقع: | تكريت |
| التاريخ الهجري: | 1431 |
| الصفحات: | 1 - 201 |
| رقم MD: | 612806 |
| نوع المحتوى: | رسائل جامعية |
| اللغة: | العربية |
| الدرجة العلمية: | رسالة ماجستير |
| الجامعة: | جامعة تكريت |
| الكلية: | كلية التربية |
| الدولة: | العراق |
| قواعد المعلومات: | Dissertations |
| مواضيع: | |
| رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
| المستخلص: |
This research aims at studying the two phenomena; gentleness and facing in the poetry of the beginning of Islam and Aumawe eras, through analyzing the poetic texts objectively and artistically. Gentleness and facing have great value which an Arabic man considers them highly when he praises himself or his people, or bewail the dead. Islamic values have been reflected on the poets spirits, therefore they have a variety of gentleness. Thus, they have drawn various pictures of gentleness that express about the capability of their spirit. The achievement of gentleness prerequires having a long experience and experiments that have different behavioural responses which affect in accidents and have an effect on the poets' poetry that make us realize the high value of gentleness included within poetic verses through using the accurate pronunciation of a word. The consideration of this value, on the part of an Arabic man means that he sanctifies it and tries to convey it to the receiver in order to adopt it because of its great essence. Facing is a virtue which is connected with the poetry of Islamic conquests or victories and wars of retreat and fighting's that follow the appearance of Islam and continue to the Aumawe era. The poets have adopted the keep its value and maintain its role in achieving strength though a lot of dangers ad challenges they may face. Praise is valid and expresses about the original values of the beginning of Islam through which poets have praised the facing of our prophet Muhammad ( God bless him ) and his friends. The political and financial impetus have overcome the other impetus of in the Aumawe era. Moreover, facing has a role in bewail the dead. We can find that facing has presented typical models that reflect the spiritual case that is different from one person to another. Poets have succeeded in these two eras in changing these two subjects into artistic inventions that supply the poems with hints stem from the virtues of gentleness and facing that show the, poets relationship with these virtues and reflect their ability in picturing them. Moreover, poets have dramatize these two subjects in two forms of the poem's outer structure. The first is represented by the complete poem and the second is represented by the poem of one structure. Poets have tried to embody each of these two types through using the various shapes of pictures and also through using the various ways of expressions about both gentleness and facing as being the two virtues that an Arabic man considers and cares about most. |
|---|
عناصر مشابهة
-
أثر الغناء في حفظ الشعر الجاهلي من الجاهلية إلى نهاية العصر الأموي
بواسطة: سكون، رفاعي عبدالرحيم منشور: (2007) -
القوارير حين تبوح: شعر النساء فى صدر الإسلام والعصر الأموى
بواسطة: بوفلاقة، محمد سيف الإسلام منشور: (2015) -
الصورة الفنية في شعر الصعاليك حتى نهاية العصر الأموي
بواسطة: حماده، إلهام أحمد عبدالرحمن منشور: (2008) -
وصف الناقة في شعر شعراء الطبقة الأولى الإسلامية
بواسطة: الكريطي، حاكم حبيب عزر منشور: (2016) -
العاذلة في الشعر العربي إلى نهاية القرن الثاني الهجري
بواسطة: ملحم، ابراهيم أحمد ذيب منشور: (1997)
