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الدعاء في النثر الصوفي إلى نهاية القرن الثالث الهجري : دراسة فنية

المؤلف الرئيسي: محمد، مهدى شكور (مؤلف)
المؤلف الرئيسي (الإنجليزية): Mohammed, Mahdi Shakoor
مؤلفين آخرين: عمر، فائز طه (مشرف)
التاريخ الميلادي: 2012
موقع: تكريت
التاريخ الهجري: 1433
الصفحات: 1 - 214
رقم MD: 612884
نوع المحتوى: رسائل جامعية
اللغة: العربية
الدرجة العلمية: رسالة ماجستير
الجامعة: جامعة تكريت
الكلية: كلية التربية
الدولة: العراق
قواعد المعلومات: Dissertations
مواضيع:
رابط المحتوى:

الناشر لهذه المادة لم يسمح بإتاحتها.

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المستخلص: This Thesis is one of many theses which tackles the " mysticism " and my study of " The supplication in mystic prose " The study " Thesis " reached to a number of facts and conclusions distributed here and there within the thesis a net among their Chapters One of which the : - The beginning of most of the mystic Supplication like the rest Muslim with expressions like " Allahom , Elahi , My God , Ya Rab , Oh Lord , Saiydi and Maolay " while in other cases their Supplications were empty of such expressions which they used to glorify and show their love to the almighty God . - On the other hard most of the mystic tale Supplications are short and Suitable to the tale context . - There is a tendency in the mystic Supplications to use the repetition of Conditional sentence and their responses in their Supplications as a form of emphasis of these sentences . - In mystic Supplication we usually find many adoptions from the Holy Koran and the Prophet’s Hadeeth . those adoptions were explicit sometimes , but implicit in others . - They also used " simile " in explaining and conveying the meanings by sensational pictures , getting use of the natural phenomena . - they have made use of paradox as a means of setting up the internal musicality in Supplication because of their great effect in directing the contact between two contradictive references . it is a container in which the mystic the tried to pour his creativity innovation and originality .