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التشكيل الموسيقى فى شعر أبى القاسم الشابى

المصدر: مجلة كلية التربية للبنات للعلوم الإنسانية
الناشر: جامعة الكوفة - كلية التربية للبنات
المؤلف الرئيسي: الشيباني، كوثر هاتف كريم (مؤلف)
المؤلف الرئيسي (الإنجليزية): Kream, Kawther Hatef
مؤلفين آخرين: جاسم، أسامة عبدالغفور نصيف (م. مشارك) , جاسم، محمد عبدالرسول (م. مشارك)
المجلد/العدد: مج7, ع13
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2013
الشهر: كانون الأول
الصفحات: 337 - 360
DOI: 10.36327/0829-007-013-012
ISSN: 1993-5242
رقم MD: 621547
نوع المحتوى: بحوث ومقالات
قواعد المعلومات: HumanIndex, EduSearch
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عدد مرات التحميل

45

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المستخلص: Praise be to Allah and peace and blessings his Ashraf creation entirety Abu al - Qasim Muhammad, The God of the good and virtuous and his companions producers. And after: The importance of music in the hair through its impact on the bombing of power semantic , and suggestive language, and their ability to disclose the nature of emotions and sensations that simmering in the consciousness of the poet, music and poetry have an impact player in creating the atmosphere psychological paints a poetic image, and reflects what afford experience poetry , etc. secreted from the emotions and thoughts , specifies House clips , governing cruel Poses and Hostels . And decide the extent of the need and type of rhyme . This allows the poet if necessary to move from one weight to another in a single poem . The music group of the regular units of time in which they can identify a certain weight imposed by the poetic experience, and the psychological state of the poet. And student of musical formation in the hair for men, finds himself scholars to the most important elements of the artistic experience, but to all of its elements, of thought and emotion , fact and fiction, because artistic composition and way of thinking and expression of view. Based on the foregoing has focused this research on the study of the formation musical hair " Abou El Kacem Chebbi" an attempt to reveal the value of poetry in terms of innovation and tradition, to fit on the aesthetics and techniques of combining music on the one hand and the rhythm of the hand, as well as compositions in their implications expressive suggestive. \

ISSN: 1993-5242

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