المصدر: | آداب الرافدين |
---|---|
الناشر: | جامعة الموصل - كلية الآداب |
المؤلف الرئيسي: | جميان، عبدالخالق سلمان (مؤلف) |
المؤلف الرئيسي (الإنجليزية): | Jamian, Abdulkhaliq Salman |
المجلد/العدد: | ع68 |
محكمة: | نعم |
الدولة: |
العراق |
التاريخ الميلادي: |
2013
|
التاريخ الهجري: | 1435 |
الصفحات: | 201 - 218 |
ISSN: |
0378-2867 |
رقم MD: | 626609 |
نوع المحتوى: | بحوث ومقالات |
قواعد المعلومات: | AraBase |
مواضيع: | |
رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
LEADER | 02785nam a22001937a 4500 | ||
---|---|---|---|
001 | 0237403 | ||
044 | |b العراق | ||
100 | |a جميان، عبدالخالق سلمان |g Jamian, Abdulkhaliq Salman |e مؤلف |9 204901 | ||
245 | |a العجائبي في قصص صهيل المجرة في صفحة النهر | ||
260 | |b جامعة الموصل - كلية الآداب |c 2013 |m 1435 | ||
300 | |a 201 - 218 | ||
336 | |a بحوث ومقالات | ||
520 | |b The Miraculous Features dominate on the Collection of Stories “Sahil Al - Mejarrah fi Safhat Al - Nahr”. So, this feature has been observed at various levels of text structure like : Titles, characters, event and space. \ The story teller ,Al-Fahadi ,via investing the miraculous in the \ titles, attempts to draw the receiver’s attention to find an approach to the narration environment that is based on the miraculous from one hand, and expanding the interpretive horizon of the text via paving the way to the symbolic sense ,especially via the first textual threshold from the other hand. \ The study reveals the overwhelming of the miraculous characters \ on the narrative content of the collection. In addition, we observe great variety in presenting the miraculous characters .We observe , in the narrative content, the supernatural characters besides the miraculous natural characters at all their kinds. We can relate the reason behind this adversity of the miraculous characters to the different contents dealt within the collection. There is no doubt that the narrative content plays an effective role in selecting the essential elements of the story which include the characters. \ The research studies the strategy adopted by Al - Fahadi, the \ story-teller, especially in presenting the miraculous event lies in opening the narration with a natural event closer as much as possible to the reality than to the fiction. However, he surprises the receiver in the middle or the end of the story by emerging the miraculous event causing a kind of surprise. He , via this kind of style, works to increase the receiver’s reaction with the narrative text. \ Some of the stories in the collection “ Sahil Al - Mejarrah fi Safhat Al - Nahr” , touches strongly the miraculous spaces . We find time achieves its wonderfulness within the collection via transcending the familiar reasonable sequence .Via turning place into a legend , the story teller achieves place wonderfulness . | ||
653 | |a نقد القصة العربية |a القصص العربية |a العصر الحديث | ||
773 | |4 الادب |6 Literature |c 009 |f Ādāb al-rāfidayn |l 068 |m ع68 |o 0260 |s آداب الرافدين |t Al Rafidain Arts |v 000 |x 0378-2867 | ||
856 | |u 0260-000-068-009.pdf | ||
930 | |d n |p y |q y | ||
995 | |a AraBase | ||
999 | |c 626609 |d 626609 |