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the symbol considers as one of the ways of the means of expression, which turned to it the poets, and they were interested .with its using and enriched service to their goals in attaining perfection of art, and the ability to connect and influence, followed by the interest of students in this way, and looked at the origin of the symbol and the means employed, and use, and al-Bayati, is one of the poets who have moved to employ the symbol, assisted by his lean to it since his facing a world of poetry, he has fluctuated along his life, and was, for its majority, driven by more usage of the symbol, and the need for coding in his poetry, and this study has inaugurated with prove the concept of the symbol in the modern criticism in order to have an input assistant to the statement of the concept that stems from this research, then a researcher adopted at a critical awareness with his careful in reviewing the most important efforts of the contemporary criticism that dealt with symbols of Abdul Wahab al-Bayati, the lesson or the so-called (critique of the criticism) and focus on the relationship with the text channel of communication that will be on according to the reading of dialogue that is based on cultures in the vision statement about the symbols of the critic Abdel Wahab al-Bayati, in order to reach sound monetary provisions of the sound. Here we do not claim familiarity with all the readings cash on symbols and masks used by the poet, it is impossible to give the right in this field manual The rights of a bigger and much broader than that it is a serious attempt by the researcher to highlight the most important studies that reached his hand with the reference that we crossed entirely the similar of it which is a lot, too. The dialogue readings seemed to us that they lack the background knowledge and the foundations of the strong theory, making it closer to the looks and the Discussion to the readings, which are based on reference to the philosophical and intellectual vision and monetary coherent, and we noticed that it tended to address the implications of intellectual and legendary, and is involved in the poetry of-Bayati more than processed of the elements of form which does not upright poetic texts without them. This confirms the need for Bayati'poetry to pause for one minute closer to examine his poetry until the result of which the readings cash commensurate with the position of the poet in Arabic literature. But these observations do not diminish the theoretical effort applied, characterized by a few critics, but we appreciate all of these readings is our beginning in this way that we have take
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