| المستخلص: |
ظهر في تاريخ السينما العديد من الأفلام التي ترسم صورة المرأة، خصوصا مشاكلها وصراعها مع الرجل، ولكننا لا نستطيع أن نقول ان هذه الأفلام قد عبرت بشكل صريح عن مشاكل المرأة. ومن خلال إجراء فحص شامل لهذه الأفلام لم أجد ما يعبر عنها كإنسانة ومخلوقة من الدرجة الأولى. وقد اخترت أن أطلق مسمى "أفلام الصرخة" على هذه الأفلام التي كانت مشكلة المرأة هي المحور الأساسي، وقد تألفت قائمة الأفلام محط الدراسة من: 1- "أريد حلاً"؛ 1975: 5- "يوم مر ... يوم حلو" 1988: 2- "ولا عزاء للسيدات" 1979: 6- "يا دنيا يا غرامي" 1996: 3- أحلام هند وكاميليا 1988: 7- "أسرار البنات" 2001: 4- "زوجة رجل مهم" 1988: 8- "سهر الليالي" 2003: 9- "أحلى الأوقات" 2004: يعد فيلم "اريد حلاً" أول صرخة استغاثة أطلقتها المرأة، "ولا عزاء للسيدات" تدور فكرته حول حياة امرأة مطلقة في مجتمع يعاقبها على ذنب لم ترتكبه، اما "أحلام هند وكامليا" فنموذج للفيلم النسوي لمخرج رجل، يدافع عن المرأة إلى أبعد الحدود ... وهكذا تتوالى الأفلام في إطلاق صرخات متتالية متنوعة على مدار تاريخ السينما المصرية الطويل.
Although hundreds of movies were produced concerning woman and her struggle against man's oppression, none of those movies presented the woman's issues or even the aspects of her humanity or her female identity in an efficient way. Most authors used to present her as a negative, helpless character, who is unable to protect herself or express her attitude, and who eventually surrenders to despair and anguish. Fatin Hamama played this role in a large number of movies, and surely we still remember her roles in Tareeq Al-Amal (the Way of Hope), Al-Malak Az-Zalim (the Unjust Angel), At-Treeq Al- Masdud (the Blocked Way), Az-Zawga Al-Azra (the Virgin Wife), and many others. The scene of a girl or a woman committing suicide remained, for a long time, a familiar scene in most movies, expressing woman's helplessness and submission after despairing of life, with the savior, usually the man, managing to save her at the last moment. Through studying and analyzing a large number of movies, I found out that none of them presented a positive image of women. However, I Labeled some of the movies which were mainly concerned with discussing any of women's issues regardless of proposing solutions as the movies of cry. I chose those movies which showed serious concern in the woman and disregarded those which presented the typical image of the woman and those which dealt with her merely as a female. The movies I chose and analyzed are: 1. Ureed Halan (I am seeking a solution) 1975, directed by Said Marzuq. 2. Wa la Aza Lis-Saydat (No Consolation for Women) 1979, directed by Henry Barakat. 3. Ahlam Hend wa Kamilia (Dreams of Hend and Kamilia), 1988, directed by Mahammad Khan. 4. Zawgat Ragul Muhim (The Wife of an Important Man), 1988, directed by Mahammad Khan. 5. Yom Morr... Yom Helw (A Bitter Day ... a Sweet Day), 1988, directed by Khairi Bishara. 6. Ya Donia Ya Gharami (O life You are My Love), 1996, directed by Magdy Ahmad Ali. 7. Asrar Al-Banat (Secrets of Girls), 2001, directed by Magdy Ahmad Ali. 8. Sahar Al-Layali (Restless Nights), directed by Hany Khalifa. 9. Ahla Al-Awqat (The Nicest Times), 2004, directed by Hala Khalil. The movie “Ureed Halan” (I am Seeking a Solution) is considered the first cry that broke from woman in her contention for obtaining the right of self determination, through the main story presented in the movie, that of Dorriya Azmy, and the stories of two more women who suffered from oppression and exploitation.
|
