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الرئيسية > السمات الفنية للنقوش الجدارية...>الوصف

السمات الفنية للنقوش الجدارية بمعبد الأسد بالنقعة

المصدر: مجلة الدراسات الإنسانية
الناشر: جامعة دنقلا - كلية الآداب والدراسات الإنسانية
المؤلف الرئيسي: ؤ (مؤلف)
المجلد/العدد: ع5
محكمة: نعم
الدولة: السودان
التاريخ الميلادي: 2011
الشهر: يناير
الصفحات: 56 - 68
ISSN: 1858-6090
رقم MD: 702556
نوع المحتوى: بحوث ومقالات
قواعد المعلومات: HumanIndex
مواضيع:
الفنون التشكيلية | الرسم والنحت | النقوش الجدارية | السمات الفنية | معبد الأسد | النقعة | السودان | المجتمع السوداني | العادات والتقاليد | مستخلصات الأبحاث
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المستخلص: Art is a part of human entity which is dated to the beginning of humanity and its history Art in general is considered as an imitation and documentation for human life and feeling The parietal epigraphies were expressions which were chosen by the artist (creator) to show the (connotation). The connotation is the relation between the indicator and its meaning Some psychological motivations that led to the appearance of art are fear, love of beauty. Imitation etc This paper deals with some of the partial epigraphies artistic features in Laon Temple at Alnagaa 150 km North Last of Khartoum. The lion Temple N300 is considered as one of the most important Mcroctic temples which was built by kmg Natakamani (12 BC -12 AD). The importance of this temple is due to the partial epigraphies that cover its walls (outside and inside) which are still in good condition. This type of epigraphies add a lot to the understanding of meroenc traditions and religious concepts, as they are distinguished by its narrative style for events presentation The epigraphies were distinguished in that it is an art having an architectural nature which adds meaningful indicators . in order to make the architecture great Juxurious and holy \
ISSN: 1858-6090

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