| المستخلص: |
تروم هذه الدراسة إلى قراءة شبكة الدلالات الملتحمة في نص مهند جمال الدين، واستنطاق مستويات التعبير لديه من خلال الالتزام بمفهومات نقدية تستمد وجودها من واقع النص مع حرية حضور بعض المحددات المنهجية وتأجيل الأخرى بحسب الأسس النظرية والوقائع النصية المنداحة في حلقات المضمر الدلالي، مع الأخذ بالحسبان أثر الحاضنة الثقافية والحضارية على النص بما يفضي إلى ضرورة اعتماد مداخل قرائية تتسق وجغرافية الخطاب الإبداعي.
Opted to build on the foundations of knowledge in the introduction to the study by defining dimension influential in the practice of the poet Muhannad Jamal al-Din detects geographical conformation script in exile, and that led to our dependence multiple readings emerge Mdyatea cash from within the text despite its dependence awareness monetary formed in our system based on the overlap and Althit between multiple approaches in an attempt to employ them and Etbiih concepts consistent with the nature of the text readable. Vanbtaat reading on two axes adopted the first of them to monitor what the conformation of poetic texts multiple while he read the other axis text poetically one identified drift his stylistic level compositional, to confirm what we went to him from the need to rely on text reading and not mortgaging Baksria curriculum or vision unilateralism of the text this study is to read the network connotations conjunctivitis in the text of Muhannad Jamal al-Din. and questioning expression levels has through commitment Bmvhomat cash derives its existence from the reality of the text with the freedom to attend some methodological limitations and to postpone the other, according to the theoretical foundations and the facts scripts Almendahh in workshops implicit semantic, taking into account the impact of the incubator of culture and civilization on the text leading to the entrances of the need to adopt consistent and geographic literacy creative discourse.
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