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With God’s Help we Shall Overcome Eve (L) the Gender Technology of Catholicism in Marina Warner’s the Lost Father

المصدر: آداب القيروان
الناشر: جامعة القيروان - كلية الآداب والعلوم الإنسانية
المؤلف الرئيسي: Zekri, Souhir (Author)
المجلد/العدد: ع11
محكمة: نعم
الدولة: تونس
التاريخ الميلادي: 2015
التاريخ الهجري: 1437
الشهر: ديسمبر
الصفحات: 7 - 8
ISSN: 0330-6771
رقم MD: 741772
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: HumanIndex
مواضيع:
كلمات المؤلف المفتاحية:
Catholicism | Feminism | Female Imagery | Fascism | New Historicism
رابط المحتوى:
صورة الغلاف QR قانون

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044 |b تونس 
100 |9 389720  |a Zekri, Souhir  |e Author 
245 |a With God’s Help we Shall Overcome Eve (L) the Gender Technology of Catholicism in Marina Warner’s the Lost Father 
260 |b جامعة القيروان - كلية الآداب والعلوم الإنسانية  |c 2015  |g ديسمبر  |m 1437 
300 |a 7 - 8 
336 |a بحوث ومقالات  |b Article 
520 |b Marina Warner’s historical novel, The Lost Father, retells and reconstructs the history of fascism in southern Italy through the pers¬pective of its women characters. The power¬ful presence and role of the Roman Catholic Church as an accomplice to fascism per¬vade the narrative and are reflected in the myriad oppressive laws, myths and symbols constructed and perpetuated against Italian women. This paper reveals the novelistic techniques adopted by Warner to expose the exclusionary and alienating practices of the Christian religion, in general, and the oppres¬sive “gender technology” of Roman Catholi¬cism in Fascist Italy, in particular. The first part of this paper aims to explore the iconography of the female body and mind constructed by the Roman Catholic Church to support fascism as reflected in history, and then in Warner’s novel. The second part will investigate the intellectual and practical strategies of resistance fictio¬nalized by Warner, namely the creation of a resilient women’s commu¬nity through mother-daughter bonding, storytelling and domestic chores. The third part will then explore the most important motives behind Warner's fictionalizing processes, especially the deconstruction of the Catholic mythology of the “feminine” and the exposure of manipulative, politically-informed religious discourses. The theories of myth-decons-truction, feminism and New Historicism will permeate the paper and sup¬port the analysis of the novel . 
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692 |b Catholicism  |b Feminism  |b Female Imagery  |b Fascism  |b New Historicism 
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995 |a HumanIndex 
999 |c 741772  |d 741772 

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